He translated works of Spanish writers, such as the Mexican Jose Emilio Pacheco, the Nicaraguan Rubén Darío, Argentine exile in France Juan José Saer, the notebooks of the Spanish painter Antonio Saura (1930–1998), and poems, like those of Peruvian poet Cesar Vallejo (1892–1938) and the Chilean Vicente Huidobro (1893–1948).
Cicatrices (Scars) directed by Patricio Coll and Nadie Nada Nunca (No, No, Never, 1998) directed by Raúl Beceyro.
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Several of his stories were turned into movies by his students, including Palo y hueso (Stick and Bone, 1968) directed by Nicolás Sarquís,
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Like several of his contemporaries (Ricardo Piglia, César Aira, Roberto Bolaño), Saer's work often builds on particular and highly codified genres, such as detective fiction (The Investigation), colonial encounters (The Witness), travelogues (El río sin orillas), or canonical modern writers (e.g. Proust, in La mayor and Joyce, in "Sombras sobre vidrio esmerilado").
San Juan | San Jose | San José | San José, Costa Rica | Juan Carlos I of Spain | José Carreras | Don Juan | José Feliciano | Santurce, San Juan, Puerto Rico | San Jose Mercury News | Juan Gabriel | José José | Juan Perón | José Saramago | José María Aznar | José Ferrer | San Jose State University | Juan Pablo Montoya | José Rizal | José de San Martín | San Jose Sharks | Strait of Juan de Fuca | San José Province | Juan Ramón Jiménez | Juan Luna | José Raúl Capablanca | José Limón | San Juan, Metro Manila | San Juan Islands | San Juan, Argentina |
For his 2001 movie Cicatrices (Scars), based on the novel of the same name by Juan Jose Saer, he was nominated for the 2002 Silver Condor award for Best Screenplay Adaptation at the Mar del Plata Film Festival.