The era is typically considered to have begun with the 1827 début in Paris of the ballerina Marie Taglioni in the ballet La Sylphide, and to have reached its zenith with the premiere of the divertissement Pas de Quatre staged by the Ballet Master Jules Perrot in London in 1845.
Jules Verne | Jules Massenet | Jules Dassin | Étienne-Jules Marey | Jules Maigret | Danny John-Jules | Jules Shear | Jules Michelet | Jules Ferry | Jules Dumont d'Urville | Jules Chéret | Jules Bastien-Lepage | Pierre-Jules Hetzel | Jules Perrot | Jules Olitski | Judge Jules | Jules Guesde | Jules Feiffer | Jules Edouard Roiné | Jules and Jim | Pierre-Jules Boulanger | Jules Romains | Jules, Prince of Soubise | Jules Lermina | Jules Hodgson | Jules Germain Cloquet | Jules Dewaquez | Jules | Île Perrot | Anne Jules de Noailles |
She danced solo and principal roles in ballets by Friderick Ashton, George Balanchine, Maurice Béjart, August Bournonville, Jean Coralli/Jules Perrot, John Cranko, Mats Ek, William Forsythe, Kevin Haigen, Leonid Jacobson, Jiri Kilian, Serge Lifar, José Limón, Asaf Messerer, John Neumeier and Marius Petipa.
Born in Naples, she studied under Carlo Blasis and the French choreographers Jules Perrot and Arthur Saint-Léon, the latter of whom was her husband from 1845–51.
After 1846, Grahn toured much of Europe, not only dancing, but also producing several ballets, including a revival of Perrot's Catarina, and her even her own play Bacchus et Ariadne.
July, 1851.Ondine, ou La naïade is a ballet in three acts and six scenes with choreography by Jules Perrot, music by Cesare Pugni and a libretto inspired by the novel Undine by Friedrich de la Motte Fouqué.
While in Milan, Fanny began her collaboration with Jules Perrot, during which they choreographed Ondine, ou La naïade (1843) as well as Alma (1842) and Lalla Rookh (1846).