The American visual anthropologist Karl G. Heider writes that all Indonesian films made before 1950 are lost.
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In Cibodas, Banten, a young woman named Minarsih (Fatimah) is rescued from four thugs by the painter Basuki (Basoeki).
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The critic-cum-screenwriter Saeroen, writing for Pemandangan, praised the film, especially its cinematography; he compared it to imported Hollywood films.