Alicia Keys | The Black Keys | wicket-keeper | Florida Keys | Lord Keeper of the Great Seal | Tron: Legacy | Subaru Legacy | Safe, Accountable, Flexible, Efficient Transportation Equity Act: A Legacy for Users | The Keys of the Kingdom | Speaker of the House of Keys | Legacy | The Keys of the Kingdom (film) | Legacy Recordings | Legacy of a Quiet Man | TRON: Legacy | House of Keys | Volcanic Legacy Scenic Byway | My Brother's Keeper (1948 film) | My Brother's Keeper | Legacy system | Florida Keys National Marine Sanctuary | Florida keys | Brother's Keeper (1998 TV series) | Brother's Keeper | Wicket-keeper | Tupac Shakur Legacy | Tina Keeper | The Keeper of Traken | The Flying Keys | Richard Keys |
His playing style has also expanded on one of Helloween's more recent albums Keeper of the Seven Keys - The Legacy, where many more bass solos and lead parts are heard, like "Invisible Man", "Light the Universe" and even some slap bass on the first single "Mrs. God", as well as "Goin' Home" from Pink Bubbles Go Ape, where one can hear slap for the first time in Helloween's discography.
Reichert's other notable television series credits include guest starring roles on Poltergeist: The Legacy, Beyond Belief: Fact or Fiction, The Immortal (starring Lorenzo Lamas), and Francis Ford Coppola's sci-fi series First Wave.
Keeper of the Seven Keys - The Legacy leans more towards the genre of Progressive metal than the previous album, Rabbit Don't Come Easy, which was much more of a Power metal album.