The group has its origins in the ensemble brought together for the musical play Veronika, der Lenz ist da - Die Comedian Harmonists (Veronica, Spring Has Come - The Comedian Harmonists), which had its premiere on 19 December 1997 at the Komödie am Kurfürstendamm on the Kurfürstendamm in Berlin.
In 1918, she opened a business on the prestigious Kurfürstendamm; it became one of the most popular studios in the city.
Quite quickly she established herself in the cabaret scene in Berlin, especially after her husband became a leaseholder of a nightclub on the Kurfürstendamm.
For the Buddy Bear Berlin Show in 2001, he designed a bear that stood in a prominent location on the Kurfürstendamm in Berlin for more than a year.
At that time, the shopping district Kurfürstendamm was a forest path where on Sundays families took carriages from the nearby Grunewald train station (now Halensee) and drove in the Grunewald forest.
Commissioned by the Senate of Berlin and designed by Dieter Binninger, the original full-sized Mengenlehreuhr was originally located at the Kurfürstendamm on the corner with Uhlandstraße.
In 1920, Nelson married singer Käthe Erlholz, and in the same year opened the Nelson-Theater on Kurfürstendamm (associated with the Sans Soucis restaurant).
Trier also created various murals: in the Kabarett der Komiker at Kurfürstendamm (1929, destroyed by the Nazis in 1933), on the liner
He played at the first Love Parade rave party in 1989 at Ku'damm Berlin (he also wrote the Love Parade Anthems from 1997-2008).
As for the building that once housed the Zodiak: in 1981 the Schaubühne relocated to its present home in a former cinema (the Kino Universum, designed by architect Erich Mendelsohn in 1926), in Lehniner Platz, along the Kurfürstendamm.
Breitscheidplatz can be reached by S-Bahn via the Bahnhof Zoo station (S 5, S 7, S 75, S 9) as well as by U-Bahn via Bahnhof Zoo (U 2, U 9) and Kurfürstendamm stations (U 1, U 9).
Most recently, he performed "Männerhort" (Men nursery) at the Theater am Kurfürstendamm in Berlin together with Bastian Pastewka, Michael Kessler and Jürgen Tonkel.
Large cinemas like the Ufa-Palast am Zoo opened, then the main locations of German film, accompanied by a lively variety and Kabarett scene, while in 1928 Max Reinhardt took over the Kurfürstendamm theatres in the rooms of the former Berlin Secession.
He also performed in London at the Little Theatre, in Berlin at the Kurfürstendamm Theater, and in Vienna at the Komödie Theater, where his burlesque impression of Hamlet was considered hilarious.
During the Cold War era, the street formed part of the commercial center of West Berlin, along with the nearby Kurfürstendamm.