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Flore Revalles

By her mid-twenties Revalles was a singer at the Grand Théâtre de Genève until the set and costume designer Léon Bakst enticed her to join the European tour of Diaghilev’s Ballets Russes in productions such as Cleopatra, Thamar and Scheherazade .

Léon Bakst

He produced scenery for Cleopatra (1909), Scheherazade (1910), Carnaval (1910), Narcisse (1911), Le Spectre de la Rose (1911), L'après-midi d'un faune (1912) and Daphnis et Chloé (1912).

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During this year, he visited Baltimore and, specifically Evergreen House - the residence of his friend and patron, art philanthropist Alice Warder Garrett (1877–1952).

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Beginning in 1909, Bakst worked mostly as a stage-designer, designing sets for Greek tragedies, and, in 1908, he made a name for himself as a scene-painter for Diaghilev with the Ballets Russes.

see also

The American Weekly

Cover artists include Howard Chandler Christy, James Montgomery Flagg, Nell Brinkley, A. K. Macdonald, C. D. Mitchell, Léon Bakst, Erté, Lee Conrey, Fish, Russell Patterson, Henry Raleigh, José Segrelles, G. E. Studdy and lots more.