Armorial de la Comédie Humaine is an armorial describing the coats of arms of the fictional characters in the literary works collectivelly called La Comédie humaine, written by Honoré de Balzac.
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Lotte has also written other works on the fictional characters in La Comédie humaine.
A. R. Waller, a critic who was a neighbour of the Marriage family, suggested she do translations when he proposed to the London publisher J. M. Dent that his firm embark on the first complete edition of Balzac's immense novel cycle La Comédie humaine.
Comédie-Française | Comédie-Italienne | La Comédie humaine | La voix humaine | La Bête humaine | Comédie en vaudeville | La Voix Humaine | la Comédie humaine | La Comedie humaine | Comédie mêlée d'ariettes | comédie mêlée d'ariettes | comédie en vaudeville | Comédie! |
Befittingly, the hotel now sits steps away from where Honoré de Balzac wrote Les Chouans, Histoire des Treize, La Femme de trente ans and the start of his la Comédie humaine.
Most notably, Honoré de Balzac drew from this history in writing the last of his series of novels, La Comédie humaine, — a work called "The Chouans".
It appeared again later in the same year under the title "Catherine Lescault, conte fantastique." It was published in Balzac's Études philosophiques in 1837 and was integrated into the La Comédie humaine in 1846.
Here he edited La Comedie humaine and wrote some of his finest novels, including La Rabouilleuse, Une Ténébreuse Affaire, and La Cousine Bette.
Balzac also portrays in this short novel a social category to which he often returns in La Comédie humaine: the forgotten victims of Napoleon.