During the course of the next three decades she appeared at the Academy of Music in New York, at the Paris Opera, at La Scala in Milan, at the Rome Opera, at La Fenice in Venice, at the Royal Opera House, Covent Garden, in London and at the Théâtre de la Monnaie in Brussels.
La Fenice - Italian opera house in Venice, one of the most famous theatres in Europe.
The book tells the story of some interesting inhabitants of Venice, Italy, whom the author met while living there in the months following a fire which destroyed the historic La Fenice opera house in 1996.
In following years Christoff appeared in a number of roles at Milan's La Scala, Venice's La Fenice, the Rome Opera, Covent Garden in London, the opera theatres in Naples, Barcelona, Lisbon, Rio de Janeiro, etc.
He has recently added Strauss's Die schweigsame Frau to his repertoire, and in June 2005, he sang in a production of Strauss's Daphne in La Fenice theater in Venice, Italy with June Anderson.
After all these successes, Elisabete Matos has sung in many major opera houses around the world, like the Gran Teatre del Liceu, La Fenice, Teatro Nacional de São Carlos (Lisbon), Teatro Real, La Scala, Maestranza de Sevilla, Teatro Regio di Torino and the Teatro di San Carlo (Naples).
Then, in 1851 at La Fenice, Venice, he created Verdi's Rigoletto, and in 1853, at the same house, he became Verdi's original Germont in La traviata.
Tscherne gave his debut on the opera stage in 2003 in Venice in a new production of Ariadne auf Naxos by the Teatro la Fenice.
Once more in these years Manetti Gold leaf has been used in several prestigious operations in Italy and all over the world: the restoration of the spires of the skyscraper of the New York Life Building in New York, the great works of Tsarskoye Selo in Saint Petersburg, the reconstruction of the theatre La Fenice in Venice following the devastating fire of 29 January 1996, and the details of the Amerigo Vespucci (ship).
Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Tel Aviv Opera, the Washington National Opera and the San Francisco Opera.
Mark Shanahan has conducted operas in theatres such as La Fenice, Théâtre Graslin, Nationale Reisopera, Opera North, Grange Park Opera, Opera Ireland, English Touring Opera, Marseilles Opera and the Frankfurt Opera.
-Maometto II, Rossini (2005, DVD) as Erisso
Lorenzo Regazzo, Carmen Giannatasio, Maxim Mironov, Annarita Gemmabella; La Fenice Theatre Orchestra, director Claudio Scimone; Dynamic
He has composed for: Teatro alla Scala, RAI, Teatro del Maggio Musicale Fiorentino, Biennale di Venezia, Teatro La Fenice di Venezia, Teatro Carlo Felice di Genova, Fondazione Arena di Verona, Stuttgart State Opera, Brussels La Monnaie, Frankfurt Opera Theatre, Amsterdam Concertgebouw, London Symphony Orchestra, Tokyo Suntory Hall.
Prina's extensive list of performance credits also include appearances at the Barbican Centre, the Bavarian State Opera, the Glyndebourne Festival Opera, La Fenice, the Liceu, Opera Australia, the Paris Opera, the Salzburg Festival, the San Francisco Opera, the Teatro Comunale Alighieri, the Teatro di San Carlo, the Teatro Real, and the Vienna State Opera among others.
Several of the groups recordings have been made in cooperation with La Fenice directed Jean Tubéry.
Ensemble La Fenice is a period wind band based in the town of Auxerre in the Burgundy region of France.
Il Cid della Spagna (dramma per musica, 2 acts A. Sografi, after P. Corneille's Le Cid), Venice, La Fenice, 17 February 1802
In 1980, Kristján Jóhannsson made his operatic debut in Osimo, Italy at the Teatro Piccolo la Fenice in Puccini´s Il tabarro and Gianni Schicchi.
Peter Gloystein is also active in various cultural institutions: Chairman of the Board of the Association supporting the Cultural Project Hombroich, Neuss; General Manager of the Urban Planning Corporation Raumortlabor Hombroich gemeinnützige Stiftungs GmbH, Neuss; Chairman of the Friends Association of the Teatro La Fenice, Berlin and Member of the Board of the Friends Association of the Deutsche Oper am Rhein, Düsseldorf/Duisburg.
Among them the most important was by architect and set designer Giuseppe Borsato in 1818, and the redecoration of the rooms by Francesco Bagnara, then art director at La Fenice in 1833.