He returned to the material in 1845, to make a larger work, with some additional text by Almire Gandonnière to Berlioz's specifications, that he first called a "concert opera", and as it expanded, finally a "dramatic legend".
In 1880 she sang in England's first complete performance of Hector Berlioz’s La damnation de Faust at the Hallé Concerts, Manchester.
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Gérard de Nerval, translator, Faust, translation into French from the original German of Johann Wolfgang von Goethe's long poem; the work earned Nerval his reputation; it was praised by Goethe, and Hector Berlioz later used sections for his legend-symphony La Damnation de Faust
He continued to perform periodically with the company up through 2005, appearing in such parts as Achillas in Giulio Cesare, Brander in La Damnation de Faust, Dansker in Billy Budd, Friar Lawrence in Roméo et Juliette, Lodovico in Otello, the Parson in The Cunning Little Vixen, Pluto in Il ballo delle ingrate, and the Priest in Lady Macbeth of the Mtsensk District among others.