The film follows Leni Riefenstahl's return to Sudan to visit the Nuba tribe whom she published photographs of in best-sellers such as The Last of the Nuba and The People of Kau.
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The reception included an audience with Adolf Hitler (whom Heckmair had met before after working with Leni Riefenstahl).
In addition to being a popular stage play, Terra baixa was made into six films, including a silent film in the United States, entitled "Martha of the Lowlands" (1914) and Leni Riefenstahl's Tiefland (1954).
Other went to individual owners, with some familiar names amongst them like Ernst Udet (who made well publicised flights to Africa and to Greenland, the latter with Leni Riefenstahl as a passenger) and Rudolph Hess.
In 1987 he directed Laibachs Geburt Einer Nation ("Birth of a Nation"), filmed on various locations in Slovenia and in a "Third Reich"-style, a typical pop video but with an exaggeration of certain Riefenstahl-like elements.
In Triumph of the Will, Leni Riefenstahl's 1935 propaganda film about the 1934 Nuremberg Rally, the final scene consists of a military parade through downtown Nuremberg, with Adolf Hitler shown receiving salutes from Nazi troops with the Nuremberg Frauenkirche in the background.
Well-known Mitläufer included the philosopher Martin Heidegger and the film director Leni Riefenstahl.
A slightly abbreviated version of the Olympische Hymne can be heard on the soundtrack to the closing sequence of part 1 of Leni Riefenstahl's Olympia, the film of the 1936 Olympics.
Inspired by the photographs of the Nuba peoples in southern Sudan, made by Leni Riefenstahl (1902-2003), he changed his career in order to work from 1984 to 1987 on a series of sculptures of muscular Nuba wrestlers.
The mountain has gained some prominence from the film The White Hell of Pitz Palu (1929), co-directed by mountain-film pioneer Arnold Fanck and Georg Wilhelm Pabst, and starring a young Leni Riefenstahl.
S.O.S. Eisberg (S.O.S. Iceberg) is a 1933 German-US drama film directed by Arnold Fanck and starring Leni Riefenstahl, Gibson Gowland, Sepp Rist, and Ernst Udet.
The competition was featured in a scene in the documentary Olympia, filmed by Leni Riefenstahl.
The same year she wrote the theatrical piece Marleni, a staged meeting of Marlene Dietrich and Leni Riefenstahl.
During the Nazi regime in Germany, he worked as a cameraman for Leni Riefenstahl; from 1939 to 1945, he was closely associated with photographing and filming activities of higher echelons of leaders of Nazi Germany, including German dictator Adolf Hitler.