The soprano's debut outside Bulgaria took place in Bilbao, where she sang the title role in Lucia di Lammermoor.
Proceeding to Melbourne with the company she sang Lucia in Lucia di Lammermoor on 3 June 1878, and was received with great enthusiasm, though it was realized that her voice needed further training.
In February 2003 he made his operatic debut as Arturo in Donizetti’s Lucia di Lammermoor at the stage of Rome Opera House (Teatro dell'Opera di Roma) with Maestro Daniel Oren.
While building Celestino, Sergio received his technical training at the Metropolitan Opera and worked on productions such as Lucia, The Magic Flute and Madame Butterfly.
She also scored triumphant successes in Italy in the great bel canto roles of that era's composers, including Rossini, specifically Armida; in Bellini's Norma and I puritani; and in Donizetti's Lucia di Lammermoor.
She sang several more roles in Bologna in 1838-1839, including the title roles in Anna Bolena, Beatrice di Tenda, and Lucia di Lammermoor.
He sang in other Donizetti operas, too, including Linda di Chamounix, Maria di Rohan, La favorite, Poliuto, and Lucia di Lammermoor.
Born Margarete Feiglstock to a Jewish family in Vienna, Forst made her operatic debut in Cologne in 1900 in the title role of Lucia di Lammermoor Three years later, made her Vienna State Opera debut in the same role and was made a member of the company by Gustav Mahler.
After studying singing at the Kharkiv Art Institute, she joined the Kharkiv Opera in 1971, where she sang the leading roles in La Traviata, Lucia di Lammermoor, Rigoletto, etc.
Vinco sang all the great bass roles of the Italian repertory notably; Oroveso, Raimondo, Sparafucile, Ferrando, Fiesco, Padre Guardiano, Gran Inquisitore, Alvise, etc., and can be heard in several recordings.
It is generally agreed that Runjanin, an amateur musician, composed the music for Mihanović's patriotic Croatian song Lijepa naša domovina in 1848 using inspiration from Gaetano Donizetti's opera Lucia di Lammermoor.
The Stooges try to intervene for Cedric by serenading Elaine (they sing a variation on the Sextette from "Lucia di Lammermoor", with lyrics telling Elaine that Cedric is present and warning of the Black Prince's plot).
Lucia di Lammermoor, an opera by Gaetano Donizetti based on Scott's book
Larry then eyes a collection of records, hastily selects the "Lucia Sextet," and announces it as the "Sextet from Lucy".
As Porky feels guilt over the cat's death, he's startled to hear the cat's nine lives outside his window singing the Sextet from the opera Lucia di Lammermoor.
Carscreugh Castle (of Earl of Stair in 1782) was the home of Janet Dalrymple, on whom Sir Walter Scott based his heroine Lucy, the Bride of Lammermoor, (who became Lucia di Lammermoor in Donizetti's opera of the same name.) Janet fell in love with and secretly betrothed to a penniless local man, Archibald Rutherford.
As a translator, Mariano translated into the Tagalog language operas such as Lucia di Lammermoor and the third act of La traviata.
She has since returned to the PSO as a guest artist as the title heroine in Lucia di Lammermoor (2004, 2008, and 2009), Rosina in Il barbiere di Siviglia (2005), Gilda in Rigoletto (2008–2009), Rosina (2009).
In Italian class, a record of Maria Callas singing Lucia plays, which causes Junie to rush out crying, leaving her affairs behind.
On 8 November 1838, Hugo's Ruy Blas starring Frédérick Lemaître had a triumphant premiere, and the French version of Donizetti's Lucia di Lammermoor was produced there in August 1839.
Among his many appearances and performances are the following: Amadeus (for the 2001 DVD edition), soloist in Milan La Scala (where he gave the first performance of the original version with glass harmonica of The Mad Scene from Donizetti's Lucia di Lammermoor) during a recital, and a tour with Tom Waits, Bob Wilson and Marianne Faithfull in The Black Rider (2004–2006).
Lucia di Lammermoor | Saint Lucia | St Lucia | St Lucia, Queensland | St. Lucia | Soufrière, Saint Lucia | Santa Lucia | Lucía Méndez | Santa Lucía | Lucia Rijker | Lucia Elizabeth Vestris | Lucia Cifarelli | Lucia Annunziata | Lucia | Santa Lucía, Uruguay | Santa Lucía Cotzumalguapa | Saint Lucia Jazz Festival | Luis Lucia | Lucia Palacios | Lucia de Berk | Vieux Fort, Saint Lucia | The Bride of Lammermoor | Sex and Lucia | Santa Lucía, Corrientes | Saltibus, Saint Lucia | Mon Repos, Saint Lucia | Lucia Moholy | Lucia Micarelli | Lucía Maya | Lucía Etxebarría |
Yaw made some grand opera appearances thereafter in Monte Carlo, including as Ophelia in Thomas' Hamlet in 1902 (her favorite role); Rome, where she sang the title role in Lucia di Lammermoor in 1905 (under the name of Elena Elvanna at the Quirinal Theatre - she was the first American singer to make a successful operatic debut in Rome); Naples; Catalonia; and Milan.
He was committed there through 1837, singing such roles as Alamiro in Donizetti's Belisario, Don Pedro in Giuseppe Persiani's Inês de Castro, Edgardo in Donizaetti's Lucia di Lammermoor, and Lorenzo in Bellini's I Capuleti e i Montecchi He made his debut at La Scala in 1838 as Alphonse in Daniel Auber's La muette de Portici, remaining there through 1839.
Brightman's version of "Regnava nel silenzio" from Lucia di Lammermoor by Gaetano Donizetti is only available on this single.
Other choreographies: "Lucia di Lammermoor" for Repertory Opera Company, "The Bartered Bride" for Celestial Opera Company, "Aida" for Casa Italiana, "The Rope" for ICAP Theater Company, "Don't try" for Rangeview Productions and "Love of a Nightingale" for Boston Court Theater.
She was invited by Mapleson to sing in London, where her repertoire included Zerlina, Susanna, Rosina and Lucia.
His repertoire for the stage included Enrico in Lucia di Lammermoor, Germont in La Traviata, Lescaut in Manon by Massenet, the Escamillo in Carmen, Marcello in Puccini's La Boheme, and Alfio in Cavalleria Rusticana.
During its period of great opulence following the Revolution, it was the site of many major opera presentations, including Verdi’s Rigoletto and Il Trovatore in 1860 and performances in 1866 of Lucia di Lammermoor and Il Barbiere di Siviglia by the famous soprano, Adelina Patti.