Examples of approximated five-point perspective can also be found in the self-portrait of the mannerist painter Parmigianino seen through a shaving mirror.
The research foci of Horst Bredekamp are Iconoclastic Fury, sculpture of the Romanesque, art of the Renaissance and Mannerism, political iconography, art and technology, new media.
Benvenuto Cellini created the Cellini Salt Cellar of gold and enamel in 1540 featuring Poseidon and Amphitrite (water and earth) placed in uncomfortable positions and with elongated proportions.
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In France, where Rosso traveled to work for the court at Fontainebleau, it is known as the "Henry II style" and had a particular impact on architecture.
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Rosso Fiorentino, who had been a fellow pupil of Pontormo in the studio of Andrea del Sarto, in 1530 brought Florentine mannerism to Fontainebleau, where he became one of the founders of French 16th-century Mannerism, popularly known as the "School of Fontainebleau".
The refectory has a series of Mannerist frescoes (1550) by Francesco Salviati (1550), and contains the 15th century tomb of Pope Eugene IV by Isaia da Pisa, transferred here from the Old Saint Peter's Basilica.
Benedetto Pagni (died 1578) was an Italian painter of the Mannerist period, active mainly in Mantua and Pescia.
The Urdu poets of Tonk preferred the style and mannerism of Momin to that of Ghalib.
Other works include five works of the painter Mannerist Andrea del Sarto, "St. Margaret of Cortona", "St. Agnes", "St. Catherine of Alexandria", "San Pedro" and "San Juan Bautista".
Deciding what characterizes a work in Counter-Mannerist style may not be straightforward; in the single brief passage mentioning the term in John Shearman's Mannerism (1967), he picks Santi di Tito's Vision of St Thomas Aquinas (1593, illustrated here, as in both books) as an example of it, but Freedberg excludes Santo's classicising naturalism from the style, though noting his similarities to it.
Wallenstein Palace (Czech: Valdštejnský palác) was designed and built by Italian architects Giovanni Pieroni and Andrea Spezza and was inspired by the newest Italian architecture of its time but the influence of Mannerism can be also seen.
Bugs comes out of his rabbit hole in a city park every morning because a kind gentleman (who has the likeness and mannerism of Peter Lorre) keeps coming to feed him a carrot ("Well, here I go again with the 'timid little rabbit' routine. It's shameful, but - eh, it's a living!").
He was a friend and perhaps pupil of Blas de Prado, an artist famous for his still lifes whose mannerist style with touches of realism, the disciple developed further.
Among the French painters who blended Italian mannerism with a love of genre scenes were Georges de La Tour, Simon Vouet, and the Le Nain brothers.
Palazzo Bevilacqua (under construction in 1529), the most famous of the three and often cited as an exemplar of Mannerism in architecture, is the richest façade of its generation, rivalling Giulio Romano's Palazzo Te.
Peter Candid (c. 1548 – 1628), also known as Peter de Witt or Peter de Witte, was a Netherlandish Mannerist painter and architect.
In architecture, Renaissance and Mannerism prevailed (see Renaissance in Poland, Mannerist architecture and sculpture in Poland), with best examples being the Sigismund's Chapel of the Wawel Cathedral, tenement houses, churches and town halls in Poznan, Krakow, Zamosc, Kazimierz Dolny, Lublin, Lwow, Gdansk and other cities, as well as castles (Pieskowa Skala, Krzyztopor, Krasiczyn, Baranow Sandomierski and others).
From 1906 to 1909 Pablo Picasso's paintings explored the impact of Primitivism through Iberian sculpture, African sculpture, African traditional masks, and other historical works including the Mannerist paintings of El Greco, resulting in his masterpiece Les Demoiselles D'Avignon and the invention of Cubism.