Manuel de Falla, Spanish composer of classical music, full name "Manuel de Falla y Matheu"
They include autograph scores, printed works, and correspondence (e.g. with Falla), as well as signed copies of works by Holst, Vaughan Williams, Grainger and John Stainer.
Manuel Noriega | Joan Manuel Serrat | Manuel I of Portugal | Manuel de Falla | Juan Manuel Santos | Manuel L. Quezon | Manuel Belgrano | Manuel Alejandro | Manuel Castells | Manuel Zelaya | Manuel Álvarez Bravo | Juan Manuel de Rosas | Víctor Manuel | Richard Manuel | Manuel Requena | Manuel Mujica Láinez | Manuel II of Portugal | Manuel Roxas | Manuel Pineda Munoz | Manuel Oribe | Manuel Mijares | Manuel L. Quezon University | Juan Manuel Márquez | Juan Manuel Fangio | Manuel Valera | Manuel Penella | Manuel I Komnenos | Manuel Barrueco | Falla | Charlie Manuel |
The Times called him "the grand old man of Turkish music, who was to his country what Jean Sibelius is to Finland, what Manuel de Falla is to Spain, and what Béla Bartók is to Hungary".
There were galas dedicated to Cuban and French composers, to baroque composers, to Frédéric Chopin, Igor Stravinski and Manuel de Falla- to commemorate the 120th anniversary of his birthday and the 50th of his death-, and as well to the Russian composer Pyotr Ilyich Tchaikovsky, key figure in the classic ballet.
The orchestra subsequently worked with guest conductors, including the composers Manuel de Falla, Alexander Glazunov, Richard Strauss, Igor Stravinsky, Ottorino Respighi, and Pietro Mascagni, but with no principal conductor or music director.
Writers and artists such as Miguel de Unamuno, Alfonso Reyes, Manuel de Falla, Juan Ramón Jiménez, José Ortega y Gasset, Pedro Salinas, Blas Cabrera, Eugenio d´Ors and Rafael Alberti were frequent visitors and lodged at the Residencia during their stay in Madrid.
Being a notable cellist himself, he gave particular support to musicians, among his beneficiaries being the composer Manuel de Falla and the cellist and conductor Juan Ruiz Casaux.
In 1999 and 2000, St. Lawrence Choir performed with the MSO and Charles Dutoit at Carnegie Hall and the Lincoln Center to critical acclaim, presenting works by Faure, Dallapiccola, Szymanowski, Orff, de Falla, and Theodorakis.
A number of important new works were written for her: Manuel de Falla's El retablo de maese Pedro (Master Peter's Puppet Show) marked the return of the harpsichord to the modern orchestra.
In 1997, the Archivo Manuel de Falla and the University of Granada marked the centenary of her birth with an exhibition and a series of concerts in her honour.
Villalonga's compositions have received high appraisal from Felipe Pedrell—comparing them to those of Victoria and Palestrina—Georges Jean-Aubry, and Manuel de Falla.