Other important Neo-Manueline buildings, in Portugal, are Rossio Railway Station, Lisbon (1886–1890), Palace Hotel of Bussaco (1888–1907), the Sintra Town Hall (1906–1909), the Counts of Castro Guimarães Palace in Cascais (1900) and the Quinta da Regaleira in Sintra (1904–1910).
The Castle of Alvito was rebuilt between 1494 and 1504, and its architecture and decoration show an interesting mix of Manueline (Portuguese late Gothic) and Mudéjar (Arab-influenced) styles, typical of the Alentejo region.
These include the magnificent manueline chalice of Archbishop Diogo de Sousa (early 16th century), the chalice of Saint Gerald (10th century) and an Arab ivory box (11th century), among others.
The first architect was the Italian Luigi Manini (1848-1936), who designed a Romantic palace in Neo-Manueline style, evoking the 16th-century architectural style that characterised the peak of the Portuguese Age of Discovery.
Manueline churches like that of Jerónimos Monastery anticipated the unification of inner space (see Hall Church) that would characterise Renaissance churches like the Mercy Church of Santarém (after 1559), the Santo Antão Church of Évora (1557–63) and the cathedrals of Leiria (after 1550) and Portalegre (after 1556).
The church was built between the 15th and 16th centuries and has many interesting artistic details, like the flamboyant Gothic portal, the Manueline tower with a 16th-century clock, the decorated capitals of the inner columns of the nave and several panels painted in the 1530s by one of Portugal's best Renaissance artists, Gregório Lopes.