In 1563 he went, at the invitation of the emperor Ferdinand I, to Innsbruck, to work on the magnificent monument which was being erected to Maximilian I in the nave of the Franciscan church.
On the north wall of the nave are monuments to the Powell family, forerunners of Robert Baden-Powell.
The original church was entirely replaced by the present structure, as designed by Henry Woodyer in the decorated style, when rebuilt 1863–85: its chancel was completed in 1865, and extends to three bays, two having arches to the north and south chapels; its wide nave by Woodyer was constructed in 1885 and has five arches and a south porch.
Church of Sant'Andrea fifteenth of style with bell tower of the 15th century.The presbytery is separated from the nave by an iron grating.
Built of red brick in the Romanesque Revival style, it consists of a chancel, a nave and a tower with a conical spire.
The church's spacious Byzantine interior is composed of three naves: a central one and two lateral ones, divided by columns of Carrara marble topped by Corinthian capitals.
The present building was constructed between the late 12th and late 13th centuries, mostly in the last thirty years of the 12th century, and was built on the site of the ruins of the Imperial Byzantine cathedral destroyed in 1156 by William I of Sicily known as the Wicked (il Malo); to the right of the transept it is still possible to observe traces of the original pavement which extends under the nave.
Since it took about six months to paint one bay of the nave, different Roman and Tuscan masters, followers of Cimabue, have performed this series of scenes such as Giacomo, Jacopo Torriti and Pietro Cavallini.
The Church of England parish church of St Leonard dates from 1170: 12th century work includes the nave, pillars, tub font and sanctus bellcote: 13th century south aisle; 14th century windows; 15th century tower, stained glass and tiny chantry chapel: open bell-chamber and ring of six bells.
The architect was S.B. Gabriel of Bristol who designed the nave and chancel in the Early English Gothic style but gave the northeast tower Norman details and a German Romanesque roof.
Recorded from the mid 12th century, when relics of St. 'Inicius' were said to be deposited there, the church of St Peter is an ancient edifice of flint and stone in the Decorated style, consisting of chancel, nave of four bays, south aisle, north and south porches and a lofty embattled tower containing a clock and one bell: in the church is a monument to Nicholas Saunderson LL.D.
The cost of rebuilding the nave was borne entirely by the local landowner, Mr A. Boughton-Knight of Downton Castle, while that of the chancel was met by the Vicar and a number of subscribers.
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For the nave, Knight employed the Shrewsbury architect Samuel Pountney Smith, who in 1861 had already built him a new church at Downton.
Odzun Church, an architecturally similar and contemporaneous three-nave basilica with dome in Odzun, Armenia
At the entrance of the nave there are small organs offered by the parish of Boufarik opposite which is a mosaic dating from 324, from the first Roman basilica of Castellum Tingitanum (Chlef).
The Church of St Luke and St Andrew in Priston, Somerset, England has a nave dating from the 12th century, on the site of an earlier Norman church.
The layout of the church, composed of a small basilica with three naves, as well as the decoration of the carved western entrance portal, dating from 1260, attest to the strong influence of Rhineland architecture.
The mural covers 400 m² of both side walls of the main nave of the church and tells the story of the arrival and martyrdom of Philip of Jesus and other missionaries in Japan.
Say's funeral service was celebrated in the nave of Canterbury Cathedral on 27 September 2006 and a public memorial service was held on 2 February 2007 in Rochester Cathedral (with a sermon by the then Bishop of Rochester, Michael Nazir-Ali).
Nave was eventually forced out of Monterey by Fabian, who apparently regarded him as a "security risk" – because he wanted to cooperate with the Army's Central Bureau.
Église Notre-Dame, Louviers, Normandy, France (especially the south nave façade and porch)
the group in bronze of Christ on a globe, supported by the Four Evangelists and a Madonna for the second altar in the left nave at San Giorgio Maggiore;
As the Dean of Llandaff, Simon was largely responsible for the reconstruction of the war-damaged nave of the cathedral, commissioning Epstein's Majestas or statue of Christ in Majesty.
The church was designed by architect Andrea Crivelli of Trento in the traditional German form of a hall church, consisting of three naves with a setback three-sided choir, round and pointed arch windows, and a steep broken hip roof.
Scenes from the Book of Genesis also decorate the nave, images of the Apostles are painted in niches in the apse, with other saints and prophets as well as a Passion series and the journey and adoration of the Magi.
Dating at least from the middle of the 12th century, Hunseby Church has a Romanesque chancel and nave and a Gothic tower.
In 1919 he visited the United States, conducting the American premiere of La nave at the Chicago Opera Association on November 18.
The most popular songs were "La nave del olvido", "Nadie, simplemente nadie" and "Del altar a la tumba", in what proved to be one of the richest productions of José José, combining the talent of composers such as Armando Manzanero, Rubén Fuentes, Dino Ramos and Nacho González, among others.
Navas also sculpted the statues of the Twelve Apostles inside, along with the columns of the central nave, and the lion at the tomb of Dario, which resembles the Lion of Lucerne, Switzerland.
Saint Anthony the Hermit’s Catholic Church (branch church; Filialkirche Hl. Antonius Eremit), Hauptstraße 10 – 1821–1825, architect Royal Building Inspector Maeber, thereafter F. Nebel, Koblenz, belltower 1873, new building work on nave 1950; in the quire a Crucifix, Body of Christ from early 17th century
The walls of the single nave, once adorned with numerous paintings, are now home to only those of Saint Francis of Assisi and Immacolata.
Architect Alexandru Orăscu, rector of the University of Bucharest, designed new plans that added two rows of massive pilasters to the interior, creating a rectangular basilica shape, with a central nave and two smaller side naves.
Built into the west wall of the nave is the head of a 13th-century grave slab, and in the chancel two freestanding crosses brought from Palestine after the First World War.
Other colonial altarpieces in various styles line the nave and stand in the side chapels, some with paintings by well known Mexican artists such as Juan Correa and the Arellano family.
Working in the St Vladimir's Cathedral in Kiev, Svedosmky painted the northern and southern naves of the cathedral, creating six scenes from the life of Jesus: The Resurrection of Lazarus, The Entry of Christ into Jerusalem, The Last Supper, The Agony in the Garden, The Trial of Pilate, The Crucifixion and The Ascension.
The Irish Abbot of Regensburg, Dirmicius of Regensburg, sent two of his carpenters to help in the work and the twin towers on either side of the junction of the nave and chancel are strongly suggestive of their Germanic influence, as this feature is otherwise unknown in Ireland.
The church features a 12th century nave and remarkably well-preserved Romanesque capitals, with themes such as Daniel in the Lions' Den and the Fall of Adam and Eve.
In 1894 the tower was restored, the nave buttresses were entirely rebuilt and new churchyard gates were fitted - all at the expense of Dr Augustus Jessopp.
The church tower was constructed as part of the early 16th century rebuilding of the church itself, commemorated by the arms of Sir John Heron (d. 1521) carved between each arch of the nave and also placed, with those of the rector Christopher Urswick (d. 1522), in the chancel.
The stained glass includes the east window of 1890 by Cox, Son and Buckly, depicting the Good Shepherd, a south chancel window of 1917 by Florence Camm depicting the Good Samaritan, and a window in the nave dating from 1903 depicting the Ascension by Curtis, Ward and Hughes.
To its basic nave, galleried aisles and west-end tower have been added a chancel (1894, by J.O. Scott, with Bath stone buttress capping and band courses), a Lady Chapel (containing the tomb of Henry Maudslay, designed by himself), organ chamber and sanctuary, all in the 19th century.
St Brides church is an ancient building of stone in the Decorated and Perpendicular styles, and consists of chancel, nave, south porch and an unusually fine perpendicular embattled western tower containing 6 bells, four of which are dated 1734 and bear inscriptions.
Though it now has a tower to the west of the nave, this was not part of the original design but was rather added at the end of the seventeenth century on the orders of Sir John Goldsborough.
The church organ is among the top six hundred in the country and there is a small tapestry piece in the nave said to have been worked by Mary, Queen of Scots.
The magnificent soaring windows set high up at the back of the nave, at the west end of the Cathedral, were erected to the memory of one of the parish’s sons, Lieut William Newby, R.A.F., killed in action in France in 1918, and buried at Rejet-de-Beaulieu.
The Choir and Lay brothers nave were rebuilt in 1780, and the entryway was built in 1893.
Recorded in 1977 on the Metzler & Söhne organ at St. Nikolaus Church, Frauenfeld, Switzerland (works on discs 1-12), and on the Hockhois/Marcussen organ in the nave of the Freiburg Münster (works on discs 13-16).
The parish church of St Giles dates from the 14th century when the nave was built.