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The title was established in 1919 and was given to six oldest theaters of the Soviet Union: Bolshoi Theatre, Maly Theatre, Moscow Art Theatre, Alexandrinsky Theatre, Mariinsky Theatre, and Mikhaylovsky Theatre.
In the spring of 1914 Sari embarked on a lengthy concert tour of Russia with a group of Italian singers which included extended stays in Moscow and Saint Petersburg for opera performances at the Mariinsky and Bolshoi Theatres.
Cui's activities in musical life included also membership on the opera selection committee at the Mariinsky Theatre; this stint ended in 1883, when both he and Rimsky-Korsakov left the committee in protest of its rejection of Mussorgsky's Khovanshchina.
He was capable to conduct without any preparation such difficult operas as Esclarmonde, Mlada, and Falstaff and that his very ability was the reason for hiring him as the second conductor of the Mariinsky Theatre (where Russian premieres of those works took place).
Tamberlik sang often at the Mariinsky Theatre in St Petersburg from 1850 until 1863, creating the role of Alvaro in Verdi's La forza del destino on 10 November 1862.
In 1886, Vsevolozhsky initiated two major reforms for the St. Petersburg Imperial Theatres, namely the relocation of the Imperial Ballet and Opera from the Bolshoi Kamenny Theatre (deemed unsafe by 1886) to the Mariinsky Theatre, and the abolition of the post of First Imperial Ballet Composer, a post previously held by such composers as Léon Minkus and Cesare Pugni.
From 1857-1858 she appeared as a guest at the Mariinsky Theatre in St. Petersburg and in 1860 she was a guest artist at Her Majesty's Theatre in London.
The Canadian firm, Diamond and Schmitt Architects, along with its local partner KB ViPS Architects designed a new building, then to be named The Second Stage, with 2,000 seats, which would complement the existing Mariinsky.
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Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Tel Aviv Opera, the Washington National Opera and the San Francisco Opera.
Outside of Berlin, Mallinger made a number of guest appearances at the Vienna State Opera and the Mariinsky Theatre in St Petersburg.
The famous film studios Lenfilm and Mosfilm, theatres and opera houses like the Mariinsky Theatre, St. Petersburg Philharmonic Orchestra, Moscow New Opera, TV and radio stations are Nevaton's regular customers as well as major sound-production studios.
Figner soon established himself as the leading tenor at the Mariinsky Theatre, retaining this status until 1903.
His mother was Sofia Gladkaya (1875—1965) was a singer in the Mariinsky Theatre and a teacher of Conservatoire de Paris.
Inspired by swans that she had seen in public parks and Alfred, Lord Tennyson's poem "The Dying Swan", Anna Pavlova (who had just become a ballerina at the Mariinsky Theatre) asked Michel Fokine, who had also read the poem, to create a solo ballet for her for a 1905 concert being given by artists from the chorus of the Imperial Mariinsky Opera.