Nikolai Radin is a grandson of the famous choreographer Marius Petipa.
John Marius Wilson | Gaius Marius | Marius Petipa | Marius Neset | Marius von Mayenburg | Marius Eriksen, Jr. | Marius Eriksen | Marius de Romanus | Marius Constant | Marius Canard | Marius | Marius Jacob | Marius Barbeau | Marius Ambrogi | Portrait of Jacques-Jean Barre, from ''Album du Salon de 1840'' by Jean Baptiste Marius Augustin Challamel | Petipa | Marius Stravinsky | Marius Niculae | Marius Müller-Westernhagen | Marius Moga | Marius Mercator | Marius Kloppers | Marius Jansen | Marius Hills | Marius Goring | Marius Enge | Marius de Zayas | Marius Dewilde | Louis Marius Schoon | Joseph Marius Diouloufet |
She danced solo and principal roles in ballets by Friderick Ashton, George Balanchine, Maurice Béjart, August Bournonville, Jean Coralli/Jules Perrot, John Cranko, Mats Ek, William Forsythe, Kevin Haigen, Leonid Jacobson, Jiri Kilian, Serge Lifar, José Limón, Asaf Messerer, John Neumeier and Marius Petipa.
In 1889, he duly instructed the Imperial Balletmaster Marius Petipa to choreograph a full-length ballet to the story La Belle au Bois Dormant, or The Sleeping Beauty for a premiere at the Mariinsky Theatre.
Marius Petipa revived the ballet in 1895 as The Tsar Maiden for the Ballerina Pierina Legnani.
Inside the choreographic work of Tatiana Stepanova emphasizes its Diptych of Ashiya, formed by Suite of works of Marius Petipa, that she reordena of magisterial form, reinterpreting the pieces and managing to join its steps with the of the master one galoruso, in an inverse osmosis, where is dificil to distinguish the parts of the two choreographers.
Elvin was only 20 when she had already danced the leads in Swan Lake, Marius Petipa's Don Quixote and The Fountain of Bakhchisarai with the State Ballet of Tashkent.
La Bayadère, a ballet by Marius Petipa to the music of Ludwig Minkus
Two famous examples are the Grand Pas created by Marius Petipa in 1881 for his revival of Joseph Mazilier's ballet Paquita, known today as the Paquita Grand Pas Classique, and the one just called Grand pas classique, choreographed by Victor Gsovsky with music by Daniel Auber, derived from the opera-ballet Le Dieu et La Bayadere.