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10 unusual facts about Marshall Amplification


Bletchley

Perhaps its most famous residents are Milton Keynes Dons F.C., in Denbigh North, and their former club sponsors Marshall Amplification, just across the old Watling Street in Denbigh West.

Bletchley and Fenny Stratford

For many years, Denbigh has been an important employment area: perhaps its most famous resident is Marshall Amplification.

Denbigh, Milton Keynes

Denbigh East is an employment area, best known as the home of Marshall Amplification.

Fender Amplifiers

This market was dominated by companies such as Marshall and Mesa Boogie—both of which had gotten started modifying Fender amps (the Bassman and the Princeton, respectively).

Jake Cinninger

He also uses an early '80s Marshall JCM 800, endorses Marshall Vintage Modern amps, OldField amps, and also uses Fuchs Audio Technology, and with Umphrey's McGee endorses Moog synthesizers, Morley effects pedals, Source Audio effect pedals and BBE Sound effects.

Marshall Amplification

Artists such as Slayer and Yngwie Malmsteen also use walls of Marshalls; both Kerry King and Jeff Hanneman of Slayer would often be seen playing in front of a total of 24 cabinets.

The Anniversary series found prominence with Joe Satriani in particular, who favoured the early EL34 powered versions and used only the clean channel live along with a modded distortion pedal Boss DS-1.

Russ Parrish

In the past, he used Marshall JCM 2000 (both TSL and DSL) amps, and both Peavey 5150 and Triple X amplifiers.

Soultone

Marshall, Fender, Gibson, and Vox all currently offer entirely hand wired re-creations of their vintage products, often at costs lower than boutique competition.

The Who's musical equipment

In 1965, Pete Townshend and John Entwistle were directly responsible for the creation and widespread use of Marshall amplifiers powering stacked speaker cabinets.


Anthony Gallo

His amp set up is a modified Marshall JCM 800 series run through a series of modified effects and a Line 6 through four Marshall cabinets each with vintage 30 Watt Celestions and sometimes he uses 25 watt Celestion Greenbacks.

DC EP

The guitar tracks that appear were recorded with one of Guy Picciotto's Marshall JCM 800 amplifiers, the same featured on the artwork for the Fugazi album, Red Medicine.

Olve Eikemo

Abbath uses an ENGL Ritchie Blackmore Signature E650 amp through either direct line in or a Marshall cabinet.

Women and Children First

The opening track, "And the Cradle Will Rock...", begins with what sounds like a guitar, but is, in fact, a phase shifter-effected Wurlitzer electric piano played through Van Halen's 1960s model 100-watt Marshall Plexi amplifier.