Matthew has always played a black Fender Jazz bass as his first choice instrument, and in addition uses an Ibanez with a C-ducer contact mic placed on the neck, close to the neck/body junction, for his fretless work primarily with Thomas Dolby, but also Peter Murphy and, more recently, in an ambient collection recorded with Japan/Hong Kong based musician Jan Linton for the Sendai Earthquake relief fund, due to be released by Entropy Records in 2012.
Gospel of Matthew | Matthew | Matthew Flinders | Matthew McConaughey | Matthew Broderick | St Matthew Passion | Matthew Barney | Matthew Fox | Matthew Prior | Matthew Arnold | Matthew Sweet | Matthew Perry | Matthew C. Perry | Matthew the Apostle | Matthew Herbert | Matthew Prior (cricketer) | Matthew Wolfenden | Matthew Shipp | Matthew Pearl | Matthew Fox (actor) | Matthew Boulton | Matthew Shepard | Matthew Pinsent | Matthew Parker | Matthew of Ajello | Matthew Lillard | Matthew Fontaine Maury | Matthew Paris | Matthew Modine | Matthew Knight |
Backed on various tracks by his former Soft Boy mates Kimberley Rew, Matthew Seligman and Morris Windsor, Hitchcock confessed satisfaction at being able to record an album with only his own artistic goals to cater for, whereas previously he had been compelled to write for 'the band'.
Additional personnel were: Phil Palmer, David Rhodes (acoustic and electric guitars); B. Heinrich-Keat (electric guitar), Clive Bell (Thai flute, khene, crumhorn); Carrie Booth (piano); Danny Thompson (double bass); Matthew Seligman, Robert Bell (bass); Martin Ditcham (percussion); Suzanne Murphy, Katie Kissoon, P.P. Arnold (backing vocals).