Woodman was exposed to the symbolic work of Max Klinger whilst studying in Rome from 1977 to 1978 and his influence can clearly be seen in many photographic series’, such as Eel Series, Roma (1977–78) and Angel Series, Roma (1977).
In Elsa Bernstein's Naturalist play Dämmerung, Klinger is mentioned in the third act when Carl talks of being able to afford "etchings by Klinger" for 80 francs.
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