Although the visions audiences discover in the films of Donal Foreman, Rouzbeh Rashidi and Maximilian Le Cain are very different, they are linked by the use of exploratory, non-script-based approaches to filmmaking and by a keen awareness of the cinema histories that have explored the medium's possibilities far beyond the accepted rules of the multiplex.
Maximilian I, Holy Roman Emperor | Ludwig Maximilian University of Munich | Maximilian I of Mexico | Maximilian I | Dean Cain | Maximilian Schell | Maximilian | Cain | Jonathan Cain | Maximilian II Emanuel, Elector of Bavaria | Maximilian II | Prince Maximilian of Wied-Neuwied | Maximilian I Joseph of Bavaria | Emperor Maximilian | Ronald Nall-Cain, 2nd Baron Brocket | Maximilian Willibald of Waldburg-Wolfegg | Maximilian Voloshin | Maximilian von Weichs | Maximilian Kolbe | Maximilian II, Holy Roman Emperor | James David Cain | Cain and Abel | Tim Cain | Ronald Nall-Cain | Maximilian Harden | Matt Cain's perfect game | Matt Cain | Commander Cain | Cain's Ballroom | Ursula Cain |