It was part of the trilogy, Meghe Dhaka Tara (1960), Komal Gandhar, and Subarnarekha (1962), all dealing with the aftermath of the Partition of India in 1947 and the refugees coping with it, though this was the most optimistic film of his oeuvre.
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Music was by Jyotirindra Moitra, from IPTA, and a noted Rabindra Sangeet exponent who had previously given music in Ghatak's Meghe Dhaka Tara (1960), and had song by singers like, Bijon Bhattacharya, Debabrata Biswas, Hemanga Biswas.
Dhaka | Tara | University of Dhaka | Tara Conner | John Moore-Brabazon, 1st Baron Brabazon of Tara | Tara Strong | Tara, Russia | Tara Air | Tara Lipinski | Meghe Dhaka Tara | Hill of Tara | Dhaka District | Dhaka College | United States of Tara | Tara Morice | Tara Brooch | Dhaka Division | Thomas Preston, 1st Viscount Tara | Tara Thornton | Tara Palmer-Tomkinson | Tara McDonald | Tara Maclay | Tara Jane O'Neil | Tara Blaise | Nawabganj Upazila, Dhaka | Institute of Business Administration, University of Dhaka | Dhaka Tribune | The Androids of Tara | Tara Sutton | Tara's Palace Museum of Childhood |
Several of his novels have been adapted for the screen including the Ritwik Ghatak-directed Meghe Dhaka Tara and the Shakti Samanta-directed Amanush.