X-Nico

Delia Brown

(featuring scenes of women drinking champagne poolside in Beverly Hills-ish backyards, with the title borrowed from a Gauguin painting of Tahitian women lounging likewise), which was attacked by Times critic Michael Kimmelman who called the buzz around her work a "pseudo-event".

Kimmelman

Michael Kimmelman (born 1958), author, critic and columnist for the New York Times, pianist.

Portrait of Adele Bloch-Bauer I

Some in the art world criticized the heirs' decision to sell all of the restituted paintings: specifically, New York Times chief art critic Michael Kimmelman described the heirs as "cashing in," and thus transforming a "story about justice and redemption after the Holocaust" into "yet another tale of the crazy, intoxicating art market."

Robert Mangold

“Robert Mangold’s paintings,” wrote Michael Kimmelman in the New York Times in 1997, “are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” His works are comprised often of simple elements which are put together through complex means.

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