(Braunberger went on to act as producer for several of Resnais's films in the following decade.) Resnais continued to address artistic subjects in Gauguin (1950) and Guernica (1950), which examined the Picasso painting based on the 1937 bombing of the town, and presented it to the accompaniment of a text written by Paul Éluard.
In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne).
After marrying, the couple began to collect art items from the 19th century and the 20th century, mainly of French, Canadian and Israeli artists such as Gauguin, Rodin, Picasso, Henri Matisse, Kandinsky and Chagall.
The collection includes about 600 accumulated works of painting, sculpture and graphic art; donations of contemporary Italian and foreign artists and includes works by Gauguin, Chagall, Klee, Dalí and Kandinsky.
Paul Gauguin and Laval both came to Pension Gloanec in Pont-Aven in 1886 and became friends.
(featuring scenes of women drinking champagne poolside in Beverly Hills-ish backyards, with the title borrowed from a Gauguin painting of Tahitian women lounging likewise), which was attacked by Times critic Michael Kimmelman who called the buzz around her work a "pseudo-event".
Gauguin had brought his new style from Pont-Aven exemplified in Vision of the Sermon, a powerful work of visual symbolism of which he had already sent a sketch to Van Gogh in September.
According to the Brooklyn Rail Many artists collected his woodcuts: Degas, Gauguin, Klimt, Franz Marc, August Macke, Manet, and van Gogh included.
In December 1888 Gauguin was visiting Vincent van Gogh in Arles when Van Gogh hacked off his left ear (or part of it, accounts vary) before leaving it at a brothel frequented by them both.
The museum is noted for its collection of European and American works, including works by Degas, Monet, Renoir, Picasso, Matisse, Pissarro, Rodin, Gauguin, Braque, Dufy, Miró, Jackson Pollock, Mary Cassatt, and Georgia O'Keeffe.
When Gauguin finally accepted the proposition to live and work side to side with Vincent in Arles, he first sent a batch of recent work to Theo in Paris, who exhibited it together with the first batch of paintings sent from Arles, in November 1888.
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Theo van Gogh had forwarded Octave Maus's invitation to Gauguin when Gauguin was already in Arles.
His Dante pictures, inspired by Giotto and Bernardino Luini, reveal his Expressionistic use of colour, perhaps also influenced by his appreciation of paintings by Gauguin and Van Gogh which were exhibited in Copenhagen in 1893.
It became famous for supplying art supplies to artists such as Cézanne, Degas, Gauguin, Pissarro, Soutine, Modigliani, Kandinsky, Bonnard, and Picasso.
The term was first used in 1877 to distinguish between scientific and naturalistic impressionism, and in 1889 when Gauguin and Emile Schuffenecker organized an Exposition de peintures du groupe impressioniste et synthétiste in the Café Volpini at the Exposition Universelle in Paris.
The Flageolet Player on the Cliff was acquired in 1998 as part of a collection of Gauguin and his Pont-Aven coterie.
The main differences between Gauguin and Strickland are that Gauguin was French rather than English, and whilst Maugham describes the character of Strickland as being largely ignorant of his contemporaries in Modern art (as well as largely ignorant of other artists in general), Gauguin himself was well acquainted with and exhibited with the Impressionists in the 1880s and lived for a while with Van Gogh in southern France.
Gauguin had been a student at the Petit Séminaire de La Chapelle-Saint-Mesmin, just outside of Orléans, from the age of eleven to the age of sixteen.