During the opening of Exhibition 10, curated by Sebastian J. Adler at the Contemporary Arts Museum, artist and experimental filmmaker Michael Snow created an elaborate piece on the advertising light grid of the Goodyear Blimp, which flew over the museum.
New York Eye and Ear Control is an album of group improvisations recorded by an augmented version of Albert Ayler's group to provide the soundtrack for Michael Snow's film of the same name.
Michael Jackson | Order of St Michael and St George | Michael Bloomberg | Michael Jordan | Michael Caine | Michael | Snow White | Michael Palin | Michael Moore | George Michael | Michael Dukakis | Michael W. Smith | Michael Douglas | Michael Bolton | Michael Schumacher | Michael J. Fox | Michael Bublé | Michael Faraday | Michael Moorcock | Michael Kors | Michael Brecker | Michael Bay | Michael Nyman | Michael Phelps | Michael Ondaatje | John Michael Montgomery | St. Michael | Michael Landon | Snow Patrol | Saint Michael, Barbados |
In 1955, he opened The Isaacs Gallery where he represented numerous Canadian artists, including Michael Snow, Graham Goughtry, Gordon Rayner, Jack Chambers, Joyce Wieland, Mark Prent, John Meredith, Robert Markle and Gathie Falk.
Panone, his wife, Cindy Sherman, and others assisted in presenting, amongst many others, Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian, Jonathan Borofsky, Chris Burden, Robert Creeley, Eric Fischl, Philip Glass, Jack Goldstein, Dan Graham, Robert Irwin, Sol LeWitt, Robert Mangold, Malcolm Morley, David Salle, Julian Schnabel and Michael Snow.
Narrative cinema is usually contrasted to films that present information, such as a nature documentary, as well as to some experimental films (works such as Wavelength by Michael Snow, Man with a Movie Camera by Dziga Vertov, or films by Chantal Akerman).
The term was coined by P. Adams Sitney who noted that film artists such as Michael Snow, Hollis Frampton, George Landow (aka Owen Land), Paul Sharits, Tony Conrad, Joyce Wieland, Ernie Gehr, Birgit and Wilhelm Hein, Kurt Kren, and Peter Kubelka had moved away from the complex and condensed forms of cinema practiced by such artists as Sidney Peterson and Stan Brakhage.