Mino's work was influenced by his master Desiderio da Settignano and by Antonio Rossellino, and is characterized by its sharp, angular treatment of drapery.
Fiesole | Mino Province | Mino Cinelu | Mino da Fiesole | Mino | Donatus of Fiesole | Romulus of Fiesole | Nicodemo Ferrucci, ''Stories of Romulus of Fiesole | Mino-Yamazaki Station | Mino Reitano | Mino del Reame |
The name "Master of the Marble Madonnas" was coined by Wilhelm von Bode in 1886, who noted several points of similarity linking these sculptures to the production of well-known Florentine masters such as Mino da Fiesole, Antonio Rossellino, Desiderio da Settignano, and Benedetto da Maiano but which are generally inferior in quality and execution.
Other works of art include works by Ventura Salimbeni, Eusebio da San Giorgio, Orazio Alfani, copies after Perugino, Girolamo Danti (sacristy, 1574), Giovanni Lanfranco, Mino da Fiesole (a marble with Young Jesus, St. John the Baptist and St. Hyeronimus, in the Vibi Chapel), a Jesus in the Orchard attributed to Guido Reni, two grand canvas by Giorgio Vasari, and a Pietà of Sebastiano dal Piombo's school.