He has had several different jobs in the reporting business including positions at Mother Jones, the Wall Street Journal and the Tallahassee Democrat.
Mother Jones' Prison, formerly a National Historic Landmark in West Virginia
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Mary Harris Jones (called "Mother Jones", 1837–1930), American labor and community organizer
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His reports from around the world have appeared in Harper's, The New York Times Magazine, the Los Angeles Times magazine, the Atlantic Monthly, Orion, Audubon, Mother Jones, Discover, Condé Nast Traveler, Resurgence, and several anthologies, including The Best American Science Writing 2006.
From 1974-80, he made his living as a journalist, writing for The New York Times, The Nation, Harper's Weekly, Mother Jones, Redbook and many other publications.
Alperovitz has been profiled by The New York Times, the Associated Press, People, UPI, and Mother Jones, and has been a guest on numerous network TV and cable news programs, including Meet the Press, Larry King Live, The Charlie Rose Show, Crossfire, and The O'Reilly Factor.
Wulfsohn's photographs have been published internationally in publications such as Mother Jones, The Lancet, The Economist, Der Spiegel (Germany), Marie Claire (UK, Germany, Poland, Hong Kong), Los Angeles Times, New Internationalist, as well as in local and general publications.
Mother Jones published an article in September 2013 which discusses a concern that credit companies who use social media like Lenddo, LendUp, Moven, Neo, Kabbage, and Kreditech may "be discriminating against applicants who essentially appear socially undesirable."
Morford's writing has appeared in other publications, ranging from Mother Jones to Sun Magazine, Bark to Yoga Journal.
Returning in the 1990s to be Mother Jones’ editor-in-chief, Klein directed exposes of Newt Gingrich, Bob Dole, the top 400 political contributors in the U.S. and Donald Sipple, the Republican's star image-maker.
When Larry Flynt expressed an interest in distributing Mother Jones, Klein used the opportunity to do a “Born Again Porn” profile of Flynt and Hustler’s demographics, which were disclosed to be much broader than the presumed blue collar audience.