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Georges Badin (1927-) : poet, painter and curator born in Céret.
The first documented mention of the place appears in the precept of Louis the Pious in 814, in which it says that Céret limits south with villam quae dicitur Macanetum.
For a short time he lived in the Bateau-Lavoir in Montmartre, and in 1911–12 spent nearly a year at Céret.
Then, Soutine made frequent trips between Céret and Cagnes-sur-Mer until 1922.
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From Cubism to the School of Paris, from Nouveau réalisme to Supports/Surfaces, the collections of the Museum shows the intense relationship between the city of Céret and some of the major artists of the twentieth century: Pablo Picasso, Georges Braque, Juan Gris, Chaim Soutine, Marc Chagall, Raoul Dufy, Auguste Herbin, Henri Matisse, Miró, Antoni Tàpies, Claude Viallat, and Toni Grand.
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André Masson, Auguste Herbin, Max Jacob, Juan Gris, Jean Marchand will also come over to stay in Céret and soon a community of artist settles there.
On September 28, 1983, the town of Céret and the IMPEM signed an agreement to restore the former Saint-Peter hospital for future use by the sardana societies.
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The Museum of Musical Instruments of Céret (French: Musée des instruments de Céret), also known as MúSIC, is located in Céret (Pyrénées-Orientales).
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The history of the museum starts with the local sardana societies: the Foment de la sardane from Céret, leaded by Roger Raynal and Joseph Burch, the Fédération sardaniste du Roussillon (FSR), a collective of sardana societies from Pyrénées-Orientales founded in 1976, and the Institut de musique populaire et méditerranéenne (Popular and mediterranean music institute, IMPEM), as well created by Roger Raynal and acting beyond the borders of the department.
The main portal has an architrave with bas-reliefs commissioned by abbot Guillaume and realized in 1019-1020 in white marble from Céret.