Many of his poems were put to music by such composers as Dargomyzhsky, Mussorgsky, and Rimsky-Korsakov.
Among Kipnis's most celebrated roles were the bass parts in operas by Mozart and Wagner, as well as the title role in Mussorgsky's Boris Godunov and the part of Rocco in Fidelio by Beethoven.
In addition to his many recordings for European radio and television, Boyde’s discography includes works by Brahms, Schumann, Tchaikovsky, Dvořák, Mussorgsky, Ravel, Scriabin and Schoenfield.
Shtoharenko's music shows the influence of Mussorgsky and Borodin in that many of his works tend to be of a programatic and descriptive nature.
He was much admired as song singer and he recorded more than 200 Russian songs by Mussorgsky (he was the first to record all his 63 songs), Tchaikovsky, Rimsky-Korsakov, Glinka, Borodin, Cui, Balakirev as well as traditional songs, mostly with piano accompaniment.
Cui's activities in musical life included also membership on the opera selection committee at the Mariinsky Theatre; this stint ended in 1883, when both he and Rimsky-Korsakov left the committee in protest of its rejection of Mussorgsky's Khovanshchina.
She made her first appearance as a singer in 1982 in the theater of Slava Polunin in the play "Pictures at an Exhibition" on the music by Mussorgsky.
In 1957 he portrayed the title role in a nationally broadcast performance of Mussorgsky's Boris Godunov with the NBC Opera Theatre.
The Chirikov Estate belonged to the grandfather of the composer Modest Mussorgsky, and Mussorgsky often visited the estate.
For example, to teach the name ‘Mussorgsky' a teacher will pronounce the last syllable: -sky, and have the student repeat it.
She was to have sung the title role in the first ever staged performance of Mussorgsky’s incomplete opera Salammbô (in the version revised and edited by Zoltán Peskó) in March 1983 at the Teatro San Carlo, Naples, but unforeseen problems in obtaining an exit visa meant that she had to be replaced at a very late stage by the African American soprano Annabelle Bernard of the Deutsche Oper Berlin.
They include the Brahms piano concertos with Kurt Masur and the Leipzig Gewandhaus Orchestra, Brahms solo works including the Handel Variations, Beethoven piano sonatas, the complete Franz Liszt Hungarian Rhapsodies, the Liszt piano concertos with André Previn and the Pittsburgh Symphony, and Gershwin's Rhapsody in Blue with Neville Marriner and the Philharmonia Orchestra, as well as music of Chopin, Mussorgsky, Schubert, Schumann, Stravinsky and Tchaikovsky.
A group that called itself "The Mighty Five", headed by Balakirev (1837–1910) and including Rimsky-Korsakov (1844–1908), Mussorgsky (1839–81), Borodin (1833–87) and César Cui (1835–1918), proclaimed its purpose to compose and popularize Russian national traditions in classical music.
Yevgeny Kolobov was the first opera conductor in Russia to stage Verdi's La forza del destino, Bellini's Il Pirata, Donizetti's Maria Stuarda, Catalani's La Wally, Verdi's I Due Foscari, Mussorgsky's Boris Godunov in the composer's original version and Thomas's Hamlet.