In addition to the well-known production by the Royal Shakespeare Company of Nicholas Nickleby in England and New York, directed by Trevor Nunn, in 1981, which included the concluding scene of Tate's version of Romeo and Juliet, with its happy ending, there has been at least one other production of Tate's work in New York.
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In 1985, the Riverside Shakespeare Company of New York City staged Tate's History of King Lear in its original form, "happy ending" and all, directed by W. Stuart McDowell at The Shakespeare Center.
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Nahum Tate, Characters of Vertue and Vice, a verse paraphrase of Joseph Hall's Characters of Vertues and Vices, a 1608 prose work
Barry worked for the Duke's Company from 1675 to 1682, taking the role of Cordelia opposite Thomas Betterton's Lear in Nahum Tate's 1681 adaptation of Shakespeare's King Lear.
The play was adapted four times, by an anonymous author, by Nahum Tate, by Thomas d'Urfey, and again by Peter Anthony Motteux, the latter being the more successful.
The Sternhold-Hopkins psalter continued in general use till Nahum Tate and Nicholas Brady's New Version of the Psalms of David of 1696 was substituted in 1717.