Drawings conserved in the Swedish National Museum of Fine Arts, Stockholm, demonstrate that Lepautre was the designer of stables for Jean-Baptiste Colbert at the Château de Sceaux, in the early 1670s.
The dish washing brush and the queue ticket dispenser, the folding stool, together with several more creations from A&E Design are part of the permanent collection of the Nationalmuseum.
His work is considered one of St. Jerome altarpiece owned by the National Gallery of Ireland and a possible table altarpiece dedicated to St. Michael that resides in Nationalmuseum was also attributed to Francés.
An almost identical composition of the same subject by Renoir is in the Nationalmuseum, Stockholm.
Heller's personal papers, including private correspondence and manuscripts, are preserved in parts at the Northwestern University Archives in Evanston, and in parts at the Deutsches Literaturarchiv (Schiller-Nationalmuseum) in the southwestern German city of Marbach am Neckar (Baden-Württemberg).
In 1955, the National Museum of Fine Arts moved into the building, and three years later the Modern Museum under Pontus Hultén.
Her lifetime production was sparse and mostly consisting of portraits, such as the one of painter Karl Nordström (1890; in the Bonnier portrait collection, Nedre Manilla, Stockholm), writer Verner von Heidenstam as Hans Alienus (one of his literary characters, 1896), writer Selma Lagerlöf (1932, Nationalmuseum) and the group portrait Vänner ("Friends", 1907, Nationalmuseum) showing writer Ellen Key reading to a group in the home of the Pauli family.
Lena Bergström is represented at the Nationalmuseum in Stockholm, The Röhsska Museum of Fashion, Design and Decorative Arts in Gothenburg, the Cleveland Museum of Art in the United States, and the Victoria and Albert Museum in London.
Hofheinz-Dörings work is part of the collections in the Staatsgalerie Stuttgart, the Schiller-Nationalmuseum Marbach, the gallery of Stuttgart, in the city's art museum Spendhaus in Reutlingen, the collection of the Bundesland Baden-Württemberg and the German Bundeskunstsammlung.
In 1997, Nationalmuseum bought the painting from the collector ordered a frame for stretching the canvas from Per Målare a carpenter in Gagnef, Dalarna, and installed it permanently where Carl Larsson had intended it to be.