Unsure of which way to turn he disbanded his orchestra in 1950 and began to study classical music which took him to Paris in 1954, where he studied classical composition and counterpoint with Nadia Boulanger.
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He concentrated now on the study of classical music, including a year in Paris with the French classical composition teacher Nadia Boulanger, before returning to Buenos Aires where he would finally commit himself to tango with the founding of his next ensemble, Octeto Buenos Aires, in 1955.
The following year he joined Astor Piazzolla’s Octeto Buenos Aires with the bandoneons of Piazzolla and Roberto Pansera (later replaced by Leopoldo Federico), the violin of Hugo Baralis, the cello of José Bragato, the double bass of Aldo Nicolini (later replaced by Juan Vasallo), the electric guitar of Horacio Malvicino and the piano of Atilio Stampone.