During this period Davies and Korner worked as session musicians, and often backed Ottilie Patterson during her featured set with husband Chris Barber's band, using amplified instruments for the first time - which did not go down well with their blues purist audience and many fellow musicians.
In 1949 Ottilie went to study art at Belfast College of Technology, where a fellow student introduced her to the music of Bessie Smith, Jelly Roll Morton, and Meade Lux Lewis.
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