Some of the works Albert conducted were created by Saint-Saëns, Respighi, Haydon Wood, Glazounow, and Rimsky-Korsakov.
All versions of the series were characterised by a caged bird automaton singing over the programme's opening and closing credits, accompanied in the original series by the first movement from Respighi's suite Gli Uccelli ('The Birds).
Scherbakov has had a successful recording career for Naxos Records; among his CDs on that label are recordings of all Tchaikovsky's Piano Concertos, the nine Beethoven symphonies (as transcribed for the piano by Liszt), and music by Godowsky, Medtner, Respighi, Shostakovich, and Lyapunov.
Ottorino Respighi's Ancient Airs and Dances Suite and one of Giovanni Gabrieli's triple brass quintets were among his opening themes.
Ottorino Respighi | Respighi | Pietro Respighi | Lorenzo Respighi | Elsa Respighi |
The chamber music of Borodin, Respighi, Saint-Saëns, the piano trios of Richard Strauss, the chamber music of the Terezin Composers, Joseph Rheinberger, Eric Zeisel, Max Bruch, Willem Pijper, Zdenek Fibich, Glazunov, Edmund Rubbra, Luigi Cherubini, Wilhelm Stenhammar are among the subjects which appeared in past issues.
In addition, he appeared on the Los Angeles Philharmonic recording of Respighi's Lauda per la Natività del Signore along with Marilyn Horne, Marie Gibson, and the Roger Wagner Chorale, conducted by Alfred Wallenstein.
La fiamma (The Flame) is an opera in three acts by Ottorino Respighi to a libretto by Claudio Guastalla based on Hans Wiers-Jenssen's 1908 play Anne Pedersdotter, The Witch.
His other recordings include the music of Britten, Delius, Vaughan Williams, Respighi, Rubbra, Sir Eugene Goossens, Arthur Benjamin, Richard Meale, Robert Still, and Ross Edwards.
The orchestra subsequently worked with guest conductors, including the composers Manuel de Falla, Alexander Glazunov, Richard Strauss, Igor Stravinsky, Ottorino Respighi, and Pietro Mascagni, but with no principal conductor or music director.
His classes have been presented in 10 countries including University of Music and Performing Arts, Vienna, the Munich State Opera, the Accademia Musicale Ottorino Respighi in Assisi and Rome, the Théâtre des Champs-Élysées in Paris and the Teatro Colón in Buenos Aires.
She was also much admired in contemporary works by Zandonai, Wolf-Ferrari, and Respighi.
His rediscovery of the concertos of Respighi (Bedford, 1991), Malipiero (London, 1994) and Casella (1995), was followed by the first modern performance in the United States of Ottorino Respighi’s Toccata for piano and orchestra, with the Johnson City Symphony under Lewis Dalvit; the concert was broadcast live by PBS and subsequently included in the station’s Great Performances series.
During her classical vocal performing years as a flexible soprano, Reeves performances included works by Handel, Bach, Mozart, Puccini, Ottorino Respighi, Charles Ives, Menotti, and Carlisle Floyd.
Conversely, certain forms of art, such as the works of Beethoven, Respighi, Dvorak, and Chopin, were condemned in Party papers as "bourgeois decadence".
Elsa Respighi (née Olivieri-Sangiacomo) (1894-1996), also a composer, wife of Ottorino Respighi