The French architect deliberately copied the designs and materials of the Palais Garnier in Paris.
Among his other work, Pils painted part of the ceiling of the grand staircase of the Palais Garnier, in four panels titled "The Gods of Olympus", "Apollo in His Chariot", "Triumph of Harmony", and "Apotheosis of the Opera", completed the year of his death.
After his return from Rome he was entrusted with many important commissions for decorative paintings, such as the frescoes in the church of St Nicholas at Nantes; the three panels of Apollo, Orpheus and Amphion at the Paris Opera house; and twelve paintings for the great hall of the council of state in the Palais Royal.
During his time at the excise office Lenormand started publishing in technology journals and filed patents for a paddle boat, a clock (successfully installed at the Paris Opera) and a public lighting system.
at the château of Chantilly, and some private residences the Hôtel Fould and Hôtel Paivabut, above all, in the decorations of the foyer of the Opera Garnier.
The Palais Garnier is in the midst of the world premiere of Don Juan Triumphant when the enormous chandelier adorning the domed ceiling of the auditorium plunges into the middle of the stalls and kills several members of the audience.
Eventually he found his way to Paris, working in a restaurant and pastry shop near the Opéra Garnier.
There is a three-story interior courtyard, supposedly inspired by the Paris Opera, featuring an imposing marble double staircase leading to colonnaded balconies on the upper stories.
He had recently completed ceiling paintings for the Palais Garnier.
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The choreography for the singers by Trisha Brown was retained for the 2007 Paris production at the Palais Garnier.
During the course of the next three decades she appeared at the Academy of Music in New York, at the Paris Opera, at La Scala in Milan, at the Rome Opera, at La Fenice in Venice, at the Royal Opera House, Covent Garden, in London and at the Théâtre de la Monnaie in Brussels.
In Lille the architect's Flemish Chamber of Commerce building of 1910-1921 stands twenty paces away from his Beaux-Arts Opéra de Lille of 1903-1914, its design said to be inspired by Garnier's Paris Opera.
Sédille made his mark as a private architect executing residential commissions during an age that celebrated heroic, civic works such as the Paris Opéra (1860–1875) by Charles Garnier or the Palais de Justice (Paris, 1857–68) by Joseph-Louis Duc and Honoré Daumet.
Finally, on 16 May 1897, twenty-two years after the laying of the foundation stone, the third largest opera theatre, after the Palais Garnier in Paris and the K. K. Hof-Opernhaus in Vienna, was inaugurated with a performance of Verdi's Falstaff conducted by Leopoldo Mugnone.
The bulk of the novel is a first-person narrative, in which Holmes recounts a visit to Paris, where he played violin for the Palais Garnier and became entangled with a mysterious "Phantom".
From then on, his career steadily progressed, with guest appearances at both the Opéra-Comique and the Palais Garnier in Paris, the Teatro Nacional Sao Carlos in Lisbon, the Liceu in Barcelona, the Teatro Real in Madrid, also appearing in London, Monte Carlo, Zurich, Brussels, etc., where he was particularly appreciated in Verdi roles.
At the time of the creation of the company, Zaryan interpreted—among other roles—that of the white mime at a gala at the Palais Garnier in honor of director Sergei Parajanov in a theatrical rendition of this master of Soviet cinema’s great film The Color of Pomogranates.