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His bust of the sculptor Antoine-Denis Chaudet, with whom he had also studied, exhibited at the Salon of 1817, was bought in 1820 for the Musée des Beaux-Arts, Angers.
A 24 hp vertical four was introduced in December 1903 at the Paris Salon.
In each of the years immediately following his arrival in Paris he collected and published a volume of his articles, the first on the salon of 1822, the second on a tour in the Pyrenees.
On his return to France, he exhibited portraits at the Paris Salons of 1804 and 1812, notably those of Desaix and Kléber.
The first Rolls-Royce car, the Rolls-Royce 10 hp, was unveiled at the Paris Salon in December 1904, although in the early advertising it was the name of Rolls that was emphasised over that of Royce.
His works won recognition and numerous awards from such institutions as the following: the Paris Salon, the Art Institute of Chicago, the National Academy of Design (Altman prize, 1916); and the Salmagundi Club (Isidor prize, 1917).
He successfully exhibited paintings such as The Battle of Tamai and El Teb at the Paris Salon and the Royal Academy after which he settled in Newmarket where he was able to depict horses and horse-racing scenes.
An early champion of Chardin, his two letters on the Paris salons, of 1747 and 1753, are a guide to enlightened contemporary taste and the defense of the Académie royale de peinture et de sculpture, which officiated at the Paris salons.
He exhibited at the Paris Salon in 1904, where his painting Faustine was bought by the French State and donated to the Musée du Luxembourg, and is now in the Musée d'Orsay, Paris.
La Pudeur ("Modesty"); exhibited at the Salon of 1801, in plaster, when it won a first prize, and of 1808, in marble, which was purchsased for the gallery at Malmaison.
He received medals at the Paris Salon and elsewhere, and was made Chevalier of the French Legion of Honor, decorated with the Order of Leopold, Belgium, the Order of the Red Eagle, Prussia, and the Order of the Dannebrog, Denmark.
In 1853, Frémiet, "the leading sculptor of animals in his day" exhibited bronze sculptures of Emperor Napoleon III's basset hounds at the Paris Salon.
A 750 Spider was presented at 37th Paris salon (1950), body by Pietro Frua.
His large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, Jr., brought him the Cross of the Legion of Honor.
He came to be valued for works in an academic style which prefigured his 1841 plaster bas-relief La mort de Démosthène (now at the École nationale supérieure des beaux-arts), or La Villanelle, exhibited at the Salon of 1848 and remarked upon by Théophile Gautier, who described it as
He exhibited at the Salon, the Galeries Georges Petit in Paris and the Goupil Gallery in London, and settled in Gerberoy.
A doctor at the Sorbonne and a preacher, he became abbot of the abbey of Saint-Gildas-de-Rhuys in 1681 and attended the Paris salon of the marquise de Lambert.
His "Le Retour," from the Paris Salon of 1879, was the first American painting ever bought for the Luxembourg Palace.
Pupil of Art Students League of New York, and Carolus Duran, Paris; honorable mention, Paris Salon, 1886, and Paris Exposition, 1889 ; member Society of American Artists 1887.
In 1972, Chatwin interviewed the 93-year-old architect and designer Eileen Gray in her Paris salon, where he noticed a map of the area of South America called Patagonia which she had painted.
After a first day sale at the Paris Salon du timbre stamp show in June 2008, the first thirteen values were nationwide issued in gummed version and self-adhesive for the three main rates, on 1 July 2008, the first day of the six month Presidency of the Council of the European Union by France.
Today the museum contains Delacroix's memorabilia and works, exhibiting pictures from nearly every phase of his career, including the artist's only three attempts at fresco from Valmont (1834); the Education of the Virgin painted in Nohant in 1842; and Magdalene in the Desert exhibited at the 1845 Salon.
Munford’s work was exhibited throughout Europe in such venues as Galerie Lara Vincy (Paris), Salon des Réalités Nouvelles (Paris), Galerie Brusberg (Hannover, Germany), Galerie Springer (Berlin), Leicester Galleries (London), Galeria Ivan Spence (Ibiza), and Galerie Handschin (Basel).
It was painted in September 1826, and was the basis for the larger and more finished View at Narni, which was exhibited at the Salon of 1827, and is now in the National Gallery of Canada, Ottawa.