Boretz edited the journal from 1962 through 1983, with co-editors Berger (1962–1864), Edward T. Cone (1968–1972), and Elaine Barkin (1972–1983).
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His recordings have been released on labels such as Navona Records (distributed by Naxos Records) and published in journals such as Perspectives of New Music.
“Changing the metaphor: Ratio models of musical pitch in the work of Harry Partch, Ben Johnston, and James Tenney,” Perspectives of New Music 33, nos. 1 & 2 (Winter–Summer 1995): 458–503.