Well known philosophers and intellectuals have written about his work, including Susan Sontag, Gilles Deleuze and Philippe Lacoue-Labarthe.
Celan's poem "Todtnauberg," however, seems to hold out the possibility of a rapprochement between their work.
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Lacoue-Labarthe's translation of Hölderlin's version of Oedipus the King was staged in Avignon in 1998, with Charles Berling in the title role.
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It features extensive interviews with Lacoue-Labarthe, Jean-Luc Nancy, Bernard Stiegler, and Hans-Jürgen Syberberg.
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These works predate the explosion of interest in the political dimensions of Heidegger's thought which followed the publication of a book by Victor Farías.
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Moreover, such alleged postmodern heavyweights as Jacques Derrida and Philippe Lacoue-Labarthe have refused to operate under a so-called postmodern rubric, preferring instead to specifically embrace a single project stemming from the European Enlightenment and its precursors.