Together with Pierre Baillot and Pierre Rode, he was at the center of the development of the French school of violin playing around the turn of the 19th century, which defined much of the 19th-century (and hence the modern) approach to playing the violin.
Pierre Boulez | Pierre Trudeau | Pierre-Auguste Renoir | Pierre Corneille | Jean-Pierre Rampal | Pierre Loti | Pierre | Pierre Teilhard de Chardin | Jean-Pierre Thiollet | Pierre Puvis de Chavannes | Pierre Cardin | Pierre Bourdieu | Pierre Amoyal | Pierre Huyghe | Pierre Bonnard | Pierre-Constant Budin | Pierre-Joseph Proudhon | Pierre Beaumarchais | Pierre Restany | Pierre Curie | Pierre Louÿs | Pierre Bayle | Marco Pierre White | Jean-Pierre Ponnelle | Jean-Pierre Jeunet | Saint-Pierre, Martinique | Saint-Pierre | Pierre Monteux | Pierre Gassendi | Pierre Clémenti |
From 1827 he was a pupil of F. A. Habeneck at the Paris Conservatoire, where he succeeded Pierre Baillot as professor in 1843, retaining the post till 1875.