Currently, the British Museum houses over 12 works by Gustav Kruell; including a self-portrait, a portrait of his own father, as well as portraits of Henry Waldstein, Mr. Kinglake, Auguste Rodin, Wendell Phillips Garrison, James Russell Lowell, Pierre Puvis de Chavannes and scenes like; "A Fishmarket in Venice", "The Flight of Night", "The Discoverer".
He has catalogued all the French Drawings in the museum, and authored and co-authored several books on artists including Ingres, Puvis de Chavannes and Claude Lorrain.
Though his reputation has since declined, he was a prominent painter in the early Third Republic.
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This commission was followed by works at the Sorbonne, namely the enormous hemicycle, The Sacred Grove or L'Ancienne Sorbonne amongst the muses in the Grand Amphitheater of the Sorbonne.
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A journey to Italy opened his mind to fresh ideas, and on his return to Paris in 1846 he announced his intention of becoming a painter, and went to study first under Eugène Delacroix (very briefly, as Delacroix closed his studio shortly afterwards due to ill health), Henri Scheffer, and then under Thomas Couture.
Pierre Boulez | Pierre Trudeau | Pierre-Auguste Renoir | Pierre Corneille | Jean-Pierre Rampal | Pierre Loti | Pierre | Pierre Teilhard de Chardin | Jean-Pierre Thiollet | Pierre Puvis de Chavannes | Pierre Cardin | Pierre Bourdieu | Pierre Amoyal | Pierre Huyghe | Pierre Bonnard | Pierre-Constant Budin | Pierre-Joseph Proudhon | Pierre Beaumarchais | Pierre Restany | Pierre Curie | Pierre Louÿs | Pierre Bayle | Marco Pierre White | Jean-Pierre Ponnelle | Jean-Pierre Jeunet | Saint-Pierre, Martinique | Saint-Pierre | Pierre Monteux | Pierre Gassendi | Pierre Clémenti |
Among the artists represented in his collection were Théodore Géricault, Eugène Delacroix, Honoré Daumier, painters of the Barbizon school such as Jean-Baptiste-Camille Corot, Jean-François Millet, Antoine Chintreuil, Gustave Courbet, Édouard Manet, Berthe Morisot, Claude Monet, Pierre-Auguste Renoir, Paul Cézanne, Alfred Sisley, Paul Gauguin and Pierre Puvis de Chavannes.
He studied art in Paris at the Académie Julian from 1885 to 1889, where he was influenced by the academic classicism of his teachers Gustave Boulanger and Jules Lefebvre, the tonalism of James Abbott McNeill Whistler, and the symbolism of Pierre Puvis de Chavannes.
Mr. Frampton considered himself to have been influenced both by primitive Italian painting and the English Pre-Raphaelite design, and also by the compositions of Pierre Puvis de Chavannes.
In 1884 he went to France and painted landscapes for a time at Grez, near the forest of Fontainebleau, afterwards going to Paris, where he studied under Colin, Aimé Morot, and Pierre Puvis de Chavannes.
He made many portraits of his friends including Edgar Degas, Auguste Renoir, Berthe Morisot, Pierre Puvis de Chavannes, Eugène Labiche, Nina de Villard, Erik Satie, Joséphin Péladan, Edmond and Jules de Goncourt.
He won the silver medal for painting at the Exposition Universelle in 1889, and in the same year founded the Société Nationale des Beaux-Arts along with Meissonier, Puvis de Chavannes, Rodin, Carolus-Duran and Charles Cottet.
He was fascinated by the art of his French contemporaries, and especially by the paintings of "the father of French Symbolism" Pierre Puvis de Chavannes and by the work of Berthe Morisot.