After this, Liza undergoes several phases, the first of which is a gravitation toward the punk rock aesthetic, specifically embracing and cultivating the look of Plasmatics performer, Wendy O. Williams.
In January 1981 Milwaukee police officers arrested and allegedly severely beat Wendy O. Williams, singer of the punk group The Plasmatics, for simulating sex on stage.
New Hope for the Wretched is the debut album by punk-metal band The Plasmatics, fronted by Wendy O. Williams.
The Wollaston Theatre was the venue for the last performance of the Plasmatics and Wendy O. Williams on their final tour in 1988.
During the next decade he worked as a songwriter and producer, and collaborated with such artists as Tina Turner, Dusty Springfield, Joe Cocker, Bonnie Tyler, Paul Young, James Brown, Nona Hendryx, Holly Johnson, Living in a Box, the Plasmatics and Steve Winwood.
Metal Priestess is the 1981 EP by punk-metal band The Plasmatics, fronted by Wendy O. Williams.
They have been compared to a variety of bands from a large spectrum of punk genres, including Plasmatics, Lunachicks, L7, Vice Squad, Devotchkas, Bikini Kill, Black Flag, Misfits, GG Allin, Dayglo Abortions, and many more.