Cowan used a small crew of 14 technicians including several recruits from the Australian Film Television and Radio School such as Gillian Armstrong and Graham Shirley.
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The movie was shot on 35mm with the budget mostly coming from the Australian Film Development Corporation.
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They often showed films in black and white and Cowan was going to make the film in black and white but the Australian Film Development Corporation offered twice the money if it was in colour and English.
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