However the lack of a single industry standard (Columbia SQ vs. JVC's CD-4 and Sansui's QS) dampened sales, and the experiment ended in 1976.
The Sound of Music | sound recording and reproduction | Puget Sound | Long Island Sound | sound film | sound | McMurdo Sound | Ministry of Sound | The Sound of Music (film) | King George Sound | Sound recording and reproduction | Owen Sound | Sound film | sound design | Sound | National Film and Sound Archive | Prince William Sound | Academy Award for Best Sound | sound barrier | The Sound and the Fury | Sneaky Sound System | The Sound | Muscle Shoals Sound Studio | University of Puget Sound | The Sound of Silence | Speed of sound | Sound of Fire | sound effect | Primavera Sound | Plymouth Sound |
The effect was taken into account and exploited in the psychoacoustics of the Fosgate Tate 101A SQ decoder, developed by Jim Fosgate in consultation with Peter Scheiber and Martin Willcocks, to produce much better spatiality and directionality in matrix decoding of 4-2-4 (SQ quadraphonic) audio.