In 1875, Clio Dulaine, the illegitimate daughter of an aristocratic New Orleans Creole man and a very light-skinned Creole woman of color who was his placée, returns from Paris to her birthplace in Rampart Street to avenge her mother's mistreatment at the hands of her father's family, the Dulaines.
Dave Bartholomew made an orchestration for the backup band, and Domino with Bartholomew and band recorded it in Cosimo Matassa's studio on Rampart Street.
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She had spent several years in retirement by 1960, when record producer Chris Albertson persuaded her to make one final recording, an album for Riverside titled Blues For Rampart Street.