In partnership with popular electronic dance music artists, he created Reverb Clothing to fill a market gap for EDM apparel.
Griffiths began his work as a broadcaster as the host of the breakfast show (and later the afternoon Drive time show) on the regional UK radio station 'Livewire' at the University of East Anglia, serving as the Deputy Station Manager of the station from 2001 to 2003, this show was also hosted with Rhys Peterson and was later moved to Brighton when the pair graduated in the form of their Radio Reverb show.
Bands to play at the club during its 2008 programme included City Reverb, Rose Elinor Dougall, Matt Finucane, Tim Ten Yen, Post War Years, Model Horror, The Deer Tracks, Maths Class, Vessels, Infadels, Restlesslist, A.Human, The Penny Black Remedy, Big Strides and Sportsday Megaphone.
Clear examples include Céline Dion's "The Power Of Love" where the reverb and delay become audible when Dion pauses and Adele's "Cold Shoulder".
The voice of the Russian fighter Petrov on the original Mandarin track was dubbed by Bruce Lee, with added reverb.
Following a move to Bar Hill, Cambridge in the late 70's, HH extended its range of sound reinforcement equipment to include models such as the MA100 Mixer Amplifier, a 100 watt, 5 channel PA amplifier 'head' with a switchable spring reverb.
As the vocalist, frontman, producer and lead songwriter for My Morning Jacket, James has been instrumental in defining the sound of the band, from the haunting reverb of The Tennessee Fire to the amalgam of reggae, Americana, and folk that was the Z, which he co-produced with John Leckie.
These Mini-cons (Jolt, Reverb, Six-Speed and Safeguard) were apparently among a group of Mini-cons that were companions of the Transformers that migrated with a Cyber Planet Key to the Giant Planet, Gigantion, which was blown into another universe due to a rift in space.
Stetson's parts on New History Warfare Vol. 3: To See More Light were performed and recorded live without overdubs or loops in various studios in Montreal, where he had wanted to use the large rooms to provide more reverb.
Les Paul and Mary Ford recorded layered vocal harmonies and guitar parts, modifying prior tracks with effects such as ambient reverb while recording the net result together on a new track.
Reverb, an environmental action group 'of the guitarist/vocalist Adam Gardner and his wife, helped to produce this EP as entirely carbon neutral.
The effects processor generated various effects (i.e. reverb and chorus) and environments on MIDI output, similar to the later EAX standard on Live! and newer cards.
The soundtracks featured sparse music, futuristic sound effects, dialogue that was mumbled rather than spoken, and heavy use of reverb.
Instead, the CDs were mastered from mixes prepared by Capitol A&R executive Dave Dexter, Jr., who, in 1965 took the submaster tapes from Capitol Records' vaults and added reverb to several tracks and simulated stereo on mono tracks (the proof that these are Dexter's mixes being the false start on "I'm Looking Through You").