The effects processor generated various effects (i.e. reverb and chorus) and environments on MIDI output, similar to the later EAX standard on Live! and newer cards.
The Sound of Music | sound recording and reproduction | Puget Sound | Long Island Sound | sound film | sound | McMurdo Sound | Ministry of Sound | The Sound of Music (film) | King George Sound | Sound recording and reproduction | Owen Sound | Sound film | sound design | Sound | National Film and Sound Archive | Prince William Sound | Academy Award for Best Sound | sound barrier | The Sound and the Fury | Sneaky Sound System | The Sound | Muscle Shoals Sound Studio | University of Puget Sound | The Sound of Silence | Speed of sound | Sound of Fire | sound effect | Primavera Sound | Plymouth Sound |
Starting around 1993, with the introduction of Creative Labs' Sound Blaster AWE32 and Gravis' Ultrasound sound cards, the term "wavetable" started to be applied as a marketing term to any sound card that used PCM samples as the basis of sound creation.