She then began her career as a stage actress, working at the Gothenburg City Theatre, the Helsingborg City Theater, and the Royal Dramatic Theatre.
The play was originally written for and staged by the Royal Dramatic Theatre, featuring the same cast, where it premiered on 13 Feb 1998, directed by Bergman.
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Elise Jakobsson was born in Stockholm 16 March 1831 – her father worked as a custom-caretaker – and became a student at Dramatens elevskola in 1849 and had already found employment by the following year at the Royal Dramatic Theatre in Stockholm, where she was originally hired as a replacement for Aurora Strandberg.
He soon turned to directing, working for a time at the Royal Dramatic Theatre and then at the Royal Swedish Opera, where his more notable productions included Gian Carlo Menotti's The Consul and Karl-Birger Blomdahl's Aniara.
In 2006 he played Horace in Molière’s play The School for Wives at the National Theatre of Stockholm.
On stage one of his most famous parts is as Vladimir in Samuel Becketts Waiting For Godot, at Sweden's Royal Dramatic Theatre (where he has performed 85 parts over the years).
She toured Europe in 1812–1813, during which she performed at the Royal Dramatic Theatre in Stockholm and Dresden.
The Royal Dramatic Theatre (the national stage) and the Cullberg Ballet, for example, toures regularly with Riksteatern with many of their most popular productions.
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At first Riksteatern, in the 1930s, was supposed to be the touring section of Sweden's Royal Dramatic Theatre, in an effort to reach an audience in Sweden that couldn't get the chance to visit the national stage in Stockholm.
He was a student at Dramatens elevskola in 1816–19 and debuted as Hamlet on the Royal Dramatic Theatre in 1819, where he stayed until the great strike of 1834.
Borgström was also a teacher in the performing arts at the Royal Dramatic Theatre's acting school; Dramatens elevskola, in the 1930s-40s.
After graduation she was immediately picked to work with Ingmar Bergman at The Royal Dramatic Theatre in Stockholm where she has since starred in several productions, the latest as Cordelia in King Lear.
She opened her own school in 1877, and was from 1883 active at Dramatens elevskola and the Opera school, from 1886–1888 in the Royal Swedish Academy of Music, and in the years around 1900 on the Royal Dramatic Theatre.