The director Karlheinz Martin and dramaturg Rudolf Leonhard, both of whom had worked on the Toller production, formed the "Proletarian Theatre of the League for Proletarian Culture" (Proletarisches Theater des Bundes für proletarische Kultur).
He fled, was recaptured, and eventually fled again, living in underground Marseille until the end of the war.
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From 1919 onwards he was a freelance author for the publication Die Weltbühne, and worked for the publishing house Verlag Die Schmiede as a lector and as the editor of two series of books, “Außenseiter der Gesellschaft” (Outsiders of Society) and “Berichte aus der Wirklichkeit” (Reports from Reality).
Rudolf Nureyev | Leonhard Euler | Rudolf Steiner | Rudolf Virchow | Rudolf Hess | Rudolf II, Holy Roman Emperor | Rudolf Kempe | Rudolf Hilferding | Rudolf | Rudolf Schwarz | Rudolf Haag | Rudolf, Crown Prince of Austria | Rudolf Schwarz (conductor) | Rudolf Platte | Rudolf Nebel | Rudolf Carnap | Rudolf Thurneysen | Rudolf Stingel | Rudolf Serkin | Rudolf II | Rudolf Bultmann | Rudolf Baumgartner | Leonhard Frank | Bad Sankt Leonhard im Lavanttal | Rudolf von Jhering | Rudolf Scharping | Rudolf Otto | Rudolf (musical) | Rudolf Kreitlein | Rudolf III, Duke of Saxe-Wittenberg |
Partly as a result of her marriage to the journalist Rudolf Leonhard in the early 1920s, she extended her clientele to celebrities such as playwright Walter Hasenclever, novelist Gerhart Hauptmann and actors and actresses including Tilla Durieux, Asta Nielsen and Emil Jannings.