One yearly event, held on the nearby Place Dauphine, prefigured the Salon des Refusés which would later give rise to the Impressionists.
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It portrays him as friends with other contemporary Parisian artists such as Edgar Degas, Auguste Renoir, Édouard Manet, and other artists of the Second French Empire who either exhibited or were in some way associated with the Salon des Refusés and were generally outside the Paris art establishment of the era, and who had been refused admission to the École des Beaux Arts.