Interest in his work abroad led to performances of his play The Sphinx Mother, a modern Oedipus, at the Salzburg Festival in 1972, and Lilith, a comedy of surrealist images, at the Schauspielhaus, Vienna in 1979.
At the same time he became one of the emerging artists of the Salzburg Festival.
Since 2003, he has hosted a series of lectures and interviews at the Salzburg Festival.
They later married and began collaborating on projects involving both film and stage including an opera shown at the Salzburg Festival.
From 2001 to 2006, Ruzicka took over the Artistic Directorship of the Salzburg Festival.
'Stocki' arrives at the height of the Salzburg Festival, receiving free tickets to the annual performance of Jedermann (which he misses).
From late July to late August each year, to coincide with the Salzburg Festival, the ÜHIIIs runs on a regular basis every Friday, on a special heritage line of the Association Pro Obus Salzburg eV.
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Moreover it has performed in opera productions such as Schubert's Fierrabras at the Vienna State Opera, Messiaen's Saint François d'Assise and Berio's Cronaca del luogo at the Salzburg Festival and videos of three operas of Mozart with the producer Peter Sellars.
In 1953, Siepi debuted at the Salzburg Festival with a legendary production of Don Giovanni conducted by Wilhelm Furtwängler, staged by Herbert Graf, and designed by Clemens Holzmeister.
She gained international recognition in 1995 with her debut at the Salzburg Festival, where she sang the role of Susanna in Le nozze di Figaro, conducted by Nikolaus Harnoncourt, and staged by Luc Bondy.
Her success in this and in her Scottish Opera roles attracted the attention of Herbert von Karajan, who invited her to appear at the Salzburg Festival the following year.
Singers who have started in Rheinsberg can be heard at the New York Metropolitan Opera, La Scala, Salzburg Festival, other various international opera houses such as Royal Swedish Opera in Stockholm, Tokyo Opera House, Vienna State Opera, Sydney Opera House, Zürich Opera House and most German opera houses.
Markus Hinterhäuser (born 30 March 1958, La Spezia, Italy) is an Austrian pianist and the current Artistic Director of the Salzburg Festival.
German artist Melanie Marie Kreuzhof, who describes her work as massurrealistic, was commissioned in 2004 by the editor of the Spectakel Salzburger Festsiele Inside magazine to produce an artwork about Erich Wolfgang Korngold's opera Die tote Stadt at the Salzburg Festival.
It was founded in 2002 by the government of North Rhine-Westphalia with Gerard Mortier, the impresario and former artistic director of the Salzburg Festival, as its founding director.
She appeared in roles of Mozart's operas, such as Pamina in The Magic Flute (at the Salzburg Festival 1991 and recorded with Georg Solti), Servilia in La clemenza di Tito (recorded with Nikolaus Harnoncourt) or the Countess in Il nozze di Figaro in Glyndebourne and with the Zurich Opera.
Prina's extensive list of performance credits also include appearances at the Barbican Centre, the Bavarian State Opera, the Glyndebourne Festival Opera, La Fenice, the Liceu, Opera Australia, the Paris Opera, the Salzburg Festival, the San Francisco Opera, the Teatro Comunale Alighieri, the Teatro di San Carlo, the Teatro Real, and the Vienna State Opera among others.
Outside the Opera, Losch took modern dance class with Grete Wiesenthal and Mary Wigman, and performed dramatic and movement roles in Viennese theaters, at the Salzburg Festival and in Max Reinhardt's 1924 Berlin production of A Midsummer Night's Dream, also choreographing for the Shakespeare play.
Unger's other Salzburg Festival roles included Monostatos in two different stagings of The Magic Flute (1967, 1968 and 1970, staged by Oscar Fritz Schuh and conducted by Wolfgang Sawallisch; 1974 staged by Strehler and conducted by Karajan, and Valzacchi in Richard Strauss' Der Rosenkavalier (1969, staged by Rudolf Hartmann, designed by Teo Otto, and conducted by Karl Böhm).
A two-act version prepared by the German composer Hans Werner Henze was performed under Jeffrey Tate at the 1985 Salzburg Festival and issued on videotape.